Henna is Not Black: Stopping the Illegal Use of Para-phenylenediamine (PPD) on Skin

 

It happens every summer. As soon as school lets out and families go on vacation, a handful of news reports go viral about a vacationer getting a “black henna” tattoo and ending up in the hospital. Too often, they are children. Severe reactions to “black henna” can result in painful, weeping blisters, permanent scarring, and a multitude of other symptoms. In some cases, a reaction may be life-threatening.

 

 

This image was from a viral news report in 2017.

 

 

Without proper public awareness, and without an effort on the part of the local law enforcement to stop the use of “black henna” in tourist destinations, these occurrences continue. “Black henna” is not henna. Too often, the news stories conflate the two, leaving readers to believe that henna is the culprit. While black henna mixtures may sometimes include some true henna, the active ingredient is a high concentration of para-phenylenediamine, or PPD. This highly sensitizing compound is used at a lower concentration in commercial hair dyes, where it is legal. In the United States, hair dyes can contain up to 6% PPD. However, any use of PPD directly on the skin is illegal. ​​ Chances of sensitization and reaction increase with the concentration of the product, as well as frequency of exposure. Because “black henna” involves the application of 25% PPD or higher directly onto the skin, there is a very high likelihood of becoming sensitized, even after a single application.

For every story that hits the news, there are likely dozens that go unmentioned. And for every person who experiences a severe reaction to “black henna,” there are even more who become sensitized without any initial reaction. About 50% of people who get a “black henna” tattoo become sensitized to PPD. Of those people about 40% of them will have a future reaction severe enough to need hospital care [1,2]. Too often, a person seeking medical care for a reaction to hair dye is found to have had a “black henna” tattoo in the past [3]. To learn more about PPD, read the article, What You Need to Know about Para-Phenylenediamine (PPD) and visit The Henna Page.

 

 

 

 

Photographs of black henna injuries on children from Florida Department of Health. Photo source: Florida Department of Heath, Bureau of Environmental Health, Division of Disease Control and Health Protection. “Black Henna.” Florida Department of Heath. http://www.myfloridaeh.com/community/Black_Henna/index.htm

 

 

This article will explore the difficulties in detecting and stopping “black henna” use, and explain what steps a person can take if they believe someone is using “black henna.” If you have recently had a “black henna” tattoo applied and are experiencing a reaction, please seek immediate medical care, and also schedule an appointment with an allergist. It will be important to determine whether your PPD sensitization has led to cross-sensitization to other substances, in order to avoid future reactions.

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The Spread of “Black Henna”

While traditional henna has been used to decorate the skin for 6,000 years, “black henna” is relatively new. In the 1970s, people in East African countries began adding concentrated hair dye to their henna, or using it to replace henna altogether. Whereas a traditional henna requires keeping the paste on the skin for several hours, and results in a deep red to coffee brown stain, PPD stains the skin jet black within an hour. The result looks very similar to a real tattoo, and the dark stain was more visible on darker skin tones.

The practice first spread within regions where henna has been traditionally used, and then moved out to the western tourist markets. Concentrated PPD is cheap and easy to obtain, in the forms of powdered black hair dyes and “henna stone.” Often advertised as a natural product harvested from the banks of the Nile river, “henna stone” is neither henna, nor natural. It is a chunk of industrial-grade, ​​ PPD at an extremely high concentration.

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Peacock brand, often referred to as “piku,” is commonly used to create “black henna” paste. It has about 50% PPD. Because the product comes in a powder form, concentration can be higher depending on how little liquid is used to dilute.

 

 

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Often referred to as “henna stone” this is a chunk of industrial grade PPD, at up to 90% concentration.

 

 

Black henna” was offered in tourist areas in Northern Africa, South Asia, and the Middle East, before it jumped to Europe and North America with the help of pop culture and music. ​​ In 1998, “black henna” gained a boost in popularity when Madonna appeared in a music video wearing it on her hands. Now, it is widely available around beaches, resorts, amusement parks, malls, and festivals. It is especially popular with children and young adults because it mimics the looks of a “real” tattoo. About 25% of UK school-aged children report having gotten a “black henna” tattoo while on holiday [4].

 

 

 

 

This map shows the areas where “black henna” is offered to tourists, and the home countries of tourists who travel to those locations for vacation.

 

 

Catching “Black Henna” Artists

If using PPD on the skin is illegal, why is it still happening? Concentrated forms of PPD hair dye are cheap and easy to obtain. There have been cases of vendors selling “black henna” kits to people looking to make extra money in tourist areas. Applying “black henna” takes very little skill, especially when stencils can be used, and can be quite lucrative. Some artists may not know that their materials are harmful.

Those who offer “black henna” to vacationers often move around, setting up a stall in one location, then packing up and moving elsewhere. An artist can easily operate with just a small kit, a stool, and a sign. PPD exposure often results in a delayed hypersensitivity reaction, which does not occur for 3-30 days after application. By this time, the customer may be home from their vacation, and the “black henna” artist is nowhere to be found.

 

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A “black henna” artist applying a design on a beach. Photo source: Amber Yarbrough. My Life as an Expat. Tuesday, August 28, 2012 http://amberslifeinjakarta.blogspot.com/2012/08/bali-part-one-1.html

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Additionally, it is difficult to prove that an artist is using PPD. Many artists use packages without ingredients labels, storing their dye powder in small bags or bottles. They may claim that they are simply using black paint, the ink from black magic markers, or some other lie. Authorities need to be able to test a sample of the substance to determine whether or not it contains PPD. Finally, local authorities simply do not allot enough time and resources to catching people who offer “black henna.”

 

Taking Action

PPD sensitization is a serious problem. If you suspect that a body artist is using “black henna,” please take the following steps. Doing so will help stop the spread of PPD sensitization by making it harder for “black henna” artists to go unchecked. If an illegal vendor knows that people are spotting and reporting “black henna” users, they will be more hesitant to set up shop.

 

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A “black henna” booth.

Photo source: cyncymc, comment “Have a Henna Tattoo” posted to Tattoo in Borocay Island, Philippines March 8, 2010 ​​ http://www.virtualtourist.com/travel/Asia/Philippines/Province_of_Aklan/Boracay_Island-1407255/Things_To_Do-Boracay_Island-Tattoos-BR-1.html

 

 

Recognizing “Black Henna”

True henna is a paste, often applied with a cone or a needle-tip bottle, and sometimes a brush or stick. It is a dark green or brown color, and often smells of plant matter and essential oils. It smells “good.” Its initial stain is a deep orange color, which darkens over 24-48 hours. You may see orange to coffee-brown stains on the artist’s hands. If the artist makes their own paste and cones, the cones will usually be made of a plain or patterned cellophane wrap, like those in craft stores.

“Black henna” is a dark gray or jet-black liquid, applied with a needle-tip bottle, or a brush. Look for bottles of grayish powder. There may also be bottles of peroxide for mixing. This liquid has very little scent. The stain is immediately black. You may see black stains on the artist’s hands. “Black henna” must be mixed fresh and used within about an hour, so you may see bowls or containers for mixing, or you may actually see an artist stir together a gray powder with water or peroxide.

 

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Mixing “black henna.” The small, brown bottles are consistent with those in powdered hair dyes. Photo source: Peta Rasdien, “Bali black henna health alert” The West Australian. September 4, 2013.

 

 

Some pre-made henna cones contain PPD. Even if they don’t, they likely contain a cocktail of ingredients that are not safe for the skin. These cones have printed labels with brand names and images. ​​ They do not always include a list of ingredients.

 

 

These manufactured “henna” cones are easily available through the internet, despite laws preventing their sale.

 

To learn more about the differences between true henna, pre-made henna cones, and “black henna,” read this article.

 

Reporting “Black Henna”

If you believe that someone is using “black henna,” gather as much information as you can. It is not recommended to confront the person. Take photos of the stand, materials, and the artist. If possible, get a photo of the artist’s face, while they are in the act of applying ​​ “black henna” to a client. Ask if they have a business card. Take note of the exact location where you found them. If at all possible, obtain a sample of their materials. Contact the local health department and provide them with all of the information you have gathered. It is likely that the artist is operating without a license, so even if the authorities do not manage to prove the existence of PPD in their materials, they can prevent the artist from continuing.

If you are at a festival, contact the organizers of the event, as well. If it is at a hotel, amusement park, or other business, contact the owners. Businesses and events can be hit with fines, penalties, or even legal action if they are caught offering “black henna,” and they are aware of this. Most businesses will take reports of “black henna” use seriously.

 

Spreading Awareness

Black henna” artists will continue as long as there are customers. Too many people are unaware of the dangers of PPD. They do not understand that while true henna is safe, “black henna” is not. While many have heard about injuries from “black henna” through the news reports, some still believe that the likelihood of suffering a reaction is low. This “it won’t happen to me” attitude is exactly what perpetuates the demand for “black henna” in tourist spaces.

It is important that local communities spread awareness about the truth. Some communities will put up signs, or hand out pamphlets. Here is an informational pamphlet that you are free to use. Print it out to take to festivals, or local areas where you suspect “black henna” may be used.

 

Click Here to Download the Printable “Black Henna” Pamphlet

Black Henna” Use in Traditional Henna Cultures

This article has mainly focused on the use of “black henna” on western tourists. It is important to acknowledge that it also widely used in cultures where natural henna was traditionally used. Too often, people are ordering materials online or going to their local shops for pre-made henna cones and black hair dye, rather than mixing their own natural henna paste.

Because henna is used for holidays, celebrations, and weddings, as well as an everyday cosmetic, the people of those cultures have a higher chance of repeated exposure to “black henna.” In fact, the rates of PPD sensitization in African, Middle Eastern, and South Asian countries are often higher than those of North America and Europe. It may be more difficult to stop because the use is often within homes, among family and friends, rather than as a business. A deep sense of culture and tradition may make people more defensive of their use of “black henna.” But remember: “black henna” is only a few decades old, and true henna is an option that has existed long before PPD entered the market.

 

 

This map shows where henna was traditionally used. Many of these areas now use “black henna” as well.

 

 

If you feel that members of your community are using “black henna,” decide whether you feel comfortable approaching them about it. Try to suggest natural henna instead. Common responses may be that traditional henna is too time-consuming, too expensive, or not dark enough. Many people will claim that they have used “black henna” for years, and have never had a problem. If possible, try to convey the facts about the likelihood of sensitization, and the severity of potential reactions. Feel free to refer them to this blog, and to the resources here.

 

Final Notes

The consequences of “black henna” stay with people for life. Once sensitized, a person will experience a reaction each time they come in contact with PPD. ​​ Often, these reactions worsen with each exposure. PPD is commonly found in hair dyes. It is also used in fur and fabric dyeing, rubber manufacturing, and in printing. PPD sensitization can lead to cross-reactions with numerous related compounds, such as PABA, found in sunscreens. Others include those found in synthetic fragrances, anesthetics, and even food dyes. This means that one “black henna” tattoo can lead to a lifetime of continual allergy problems.

Currently, the rate of PPD sensitization is growing, with an estimated 16% of western adults expected to have a PPD allergy by 2030. Putting an end to the illegal use of PPD on skin will prevent tens of thousands of future injuries by preventing initial sensitization. If you see “black henna” being used, please do not hesitate to act.

 

 

 

References

[1] Kligman, Albert M. "The identification of contact allergens by human assay: III. The maximization test: A procedure for screening and rating contact sensitizers." Journal of Investigative Dermatology 47, no. 5 (1966): 393-409.

 

[2] Smith, Vanessa M., Sheila M. Clark, and Mark Wilkinson. "Allergic contact dermatitis in children: trends in allergens, 10 years on. A retrospective study of 500 children tested between 2005 and 2014 in one UK centre." Contact dermatitis 74, no. 1 (2016): 37-43.

 

[3] Søsted, H., T. Agner, Klaus Ejner Andersen, and T. Menné. "55 cases of allergic reactions to hair dye: a descriptive, consumer complaint‐based study." Contact Dermatitis 47, no. 5 (2002): 299-303.

 

[4] Cartwright-Jones, Catherine. “‘BLACK HENNA’ AND THE EPIDEMIC OF PARA-PHENYLENEDIAMINE SENSITIZATION: Demographics of Extreme Allergic Reactions to Oxidative Hair Dye.” Lecture. The Society of Cosmetic Chemists’ 70th Annual Scientific Meeting

New York, New York, December 10, 2015. See http://www.hennapage.com/henna/ccj/SCCPPD12_7-15.pdf

 

A Comparison of Body Art Quality Henna Paste, Pre-Made Pastes, and “Black Henna”

 

 

 

A little while ago, I read a post by a henna artist on a social media site bemoaning that yet another person contacted her to say that henna was dangerous and that it would cause allergic reactions. This is not uncommon in the henna body art community. Henna paste for body art made from body art quality ​​ (BAQ) henna and other natural ingredients is completely safe. This person had most likely heard of the dangers of “black henna.” Then, there are those people on the opposite side of misinformation who believe that if a product is called “henna,” it must therefore be natural and safe 100% of the time. ​​ Also not true.

The sad truth is that there are innumerable mass-produced products easily accessible online and on international store shelves which claim to be “henna” but are a mixture of food dyes, solvents, preservatives, para-phenelyendiamine (PPD), and other additives. These products are labeled as “henna,” but may not contain any material from the lawsonia inermis plant.

These products are designed to be a fast, cheap, and easy alternative to mixing true henna paste from scratch. True henna paste must be mixed, dye-released, and coned. It degrades at room temperature. True henna must be left on the skin for several hours for a deep stain; after paste removal, the stain is light at first, then oxidizes to a deeper color over the subsequent 48 hours. Stains from true henna paste vary depending on skin thickness and texture. Pre-made pastes are designed to have long shelf-lives, and quick, dark stains, but at potential risk to the consumer.

 As the word “henna” is not regulated, it can be used simply to describe a form of body art which involves temporarily staining the skin, rather than the product of the henna plant. To learn more about the differences between pure, BAQ henna, mass-produced henna cones, and “black henna,” click here. To learn more about the dangers of PPD and “black henna,” click here.

The population is very diverse in my neighborhood of Montreal, Quebec, and as a result, there are several international grocery stores within just a few blocks of my home. I went out to the nearest two and purchased all of the pre-made “henna” cones I found on the shelves. I also purchased two types of powdered black hair dyes popularly used to create “black henna” paste. I compared each of these products to my own BAQ paste in terms of texture, odor, and color. I also recorded notes on the packaging and instructions, and conducted a paper chromatography test to observe dye separation. Here are my findings.

 

Comparing BAQ Henna Paste, Pre-made Pastes, and Paste Made From Powdered Hair Dye

The purpose of this study is to note physical and chemical differences between true, BAQ henna paste, and products which are used as alternatives. As I sampled only the products available within a short distance from my home, future studies may be done on a wider range of products such as those most popular on online shopping sites.

Without more advanced methods at my disposal, it is impossible to determine the exact ingredients in the products, and therefore their level of safety. To err on the side of caution, I assumed that all of the store-bought products were potentially harmful, taking the safety measures described in the section below. The powdered hair dyes clearly indicated their ingredients, which included para-phenylenediamine, known to be highly sensitizing when in contact with the skin.

The purpose of this study is not to comment on the quality, popularity, or reputation of any of the products involved, but rather to report on the attributes which can be noted through basic observation.

 

Safety Measures

Please note that I do not, under any circumstance, recommend replicating this experiment. There was no way to determine what the products contained and whether they were dangerous. The powdered hair dyes contained a concentrated amount of PPD, which is known to be highly sensitizing, as well as toxic if ingested. Many of the pre-made pastes possessed no ingredients label; those that did were likely to have excluded ingredients from their list due to lax regulation. I wore protective gloves and worked in a well-ventilated space to prevent skin contact and inhalation of fumes. Afterward, I thoroughly cleaned all surfaces to prevent future exposure or contamination.

 

Product Selection

For this experiment, a product qualified if it met one or more of the following: 1) It was labeled “henna” and came in a cone or tube; 2) it did not have the word “henna” but packaging showed images of decorated skin; 3) it was packaged and marketed as a black hair dye, but is known for use on skin.

I purchased every product available in two local international stores, without purchasing duplicates, or more than one product from each brand. In the case of two products from the same brand, I chose that which advertised a darker color.

In total, I purchased six pre-made pastes and two powdered black hair dyes. All products except Cone 4 (Kanza) are shown in the image below.

 

 

 

 

 

Procedure

Using written notes as well as visual and audio recording, I commented on each product’s packaging, including the presence of ingredients lists, instructions, warnings, promised results, and country or manufacture.

After opening the packaging, I noted physical qualities of the paste: consistency, color, and odor. I tested each paste by drawing lines and dots. In the case of the two hair dye powders, I mixed each with water to a consistency similar to the pre-made pastes.

I then conducted two additional tests: one for flammability, and the second a chromatography test to compare dye separation between products. The procedures and results for these two tests will be discussed in detail later in this article.

All products’ results were compared to a cone of BAQ henna paste which I created using henna powder, lemon juice, water, sugar, and essential oils.

 

Packaging

The pre-made pastes were relatively similar in packaging. They were either in a plastic tube with a small twist cap, similar to the type of packaging for an ointment; or, they were in a rolled foil cone which was taped at the top and sealed with a pin at the tip.

Nearly all of the products came from Pakistan, with the exception of Cone 4, which was from Dubai. Only two products featured ingredients lists, and only one recommended a patch test. Very few instructions were present. Cone 5 read, “Wash hands after 15 minutes” which could be interpreted either as instructions, a warning, or an advertisement of the speed of the product’s staining ability.

Four of the six pastes had “Export Quality” printed somewhere on the packaging. I could not find clear information about the countries’ standards for determining this. More likely than not, they are just words put on there to sound fancy.

The two powdered hair dyes had complete instructions, warnings, and ingredients lists. Warnings and ingredients were printed on the box; the pamphlets inside repeated the warnings, and provided instructions for conducting a patch test as well as mixing and application.

The boxes of hair dye each contained a small glass bottle with a twist cap, underneath which was a rubber stopper. Each supplied a small measuring cup, and one supplied disposable gloves.

Both hair dyes were marketed toward Eastern Asian customers, and/or included Eastern Asian elements on the packaging. One was from a Japanese company which outsourced its manufacturing to India; the other was produced in Pakistan. Both boxes included promises of no ammonia or peroxide, adding to the sense that the product was safe or healthy. (Side note: the woman who rung me up commented that these dyes were “natural,” and “much safer than what you’d get at a drug store.” I just smiled and nodded.)

 

Below are details for each product’s packaging.

 

Cone 1

Name of Product

On Box: “Almas / Cone Henna Paste / Henna Body Decoration Paste”

On Tube: “Special Cone Henna Paste”

Type of Packaging

Plastic tube with thin tip twist cap, within a paper box

Country of Manufacture

Pakistan

Ingredients Listed

None listed

Instructions

Warning

“External Use Only”

Additional Details

On Box:

Black”

One of the finest quality and largest selling Henna in the world”

On Tube:

“100% Color”

“No side effect.”

“We feel proud that your trust is on our product...”

Export Quality From Pakistan”

An email address provided

 

Cone 2

Name of Product

“Shama / Cone Henna / Henna Body Decoration Paste”

Type of Packaging

Plastic tube with thin tip twist cap, within a paper box

Country of Manufacture

Pakistan

Ingredients Listed

Natural Hinna, Hinna Oil, Citric Acid & Water” (sic)

Instructions

See Image Below

Warning

Warning: Not to be used on lips and aroun the eyes area” (sic)

Additional Details

Extra Dark Color”

Finest Quality Henna in The World”

Halal”

 

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Shama Instructions and Warnings

 

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Cone 3

Name of Product

Special / Najma / Gel Cone / Mehndi”

Type of Packaging

Foil cone with pin tip, within paper box

Country of Manufacture

Pakistan

Ingredients Listed

None

Instructions

None

Warning

None

Additional Details

Export Quality”

 

Cone 4

Name of Product

Kanza / Henna Cone”

Type of Packaging

Foil cone with pin tip

Country of Manufacture

Dubai, UAE

Ingredients Listed

None

Instructions

None

Warning

None

Additional Details

The Supreme Quality Henna Selling in the World”

“Trademark 383381”

“Emergency Cone Henna”

“Export Quality”

“A Product of Noorani & Company”

A website provided

 

Cone 5

Name of Product

“Anarkali / Brown Out Liner”

Type of Packaging

Foil cone with with pin tip

Country of Manufacture

Pakistan

Ingredients Listed

None

Instructions

“Wash Hands Within 15 Minutes”

Warning

None

Additional Details

Registered 152393”

An email address provided

 

Cone 6

Name of Product

“Al Qamar / Nail Henna”

Type of Packaging

Small foil tube with twist cap, within paper box

Country of Manufacture

Pakistan

Ingredients Listed

Instructions

None

Warning

None

Additional Details

Export Quality”

Approved by PCSIR”

Company address and phone numbers provided

 

Powder 1

Name of Product

“Bigen / Permanent Powder Hair Color / 59 Oriental Black”

Type of Packaging

Paper box containing glass bottle of powder sealed with rubber stopper and twist cap. Box also contained a small plastic measuring cup and pamphlet of instructions.

Country of Manufacture

Pakistan

Ingredients Listed

Instructions

See Image Below

Warning

See Image Below

Additional Details

Contains No Ammonia”

Requires No Hydrogen Peroxide”

 

 

Instructions for Bigen Hair Dye

 

 

Warnings and patch test for Bigen Hair Dye

 

 

Powder 2

Name of Product

“ShoHan / Japanese / Instant Powder Hair Color”

Type of Packaging

Paper box containing glass bottle of powder sealed with rubber stopper and twist cap. Box also contained a small plastic measuring cup and pamphlet of instructions.

Country of Manufacture

India

Ingredients Listed

Instructions

See Image Below

Warning

See Image Below

Additional Details

Contains No Ammonia Peroxide”

100% Gray Coverage”

 

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ShoHan Hair Dye instructions and warnings

 

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ShoHan Hair Dye Special Features and Patch Test Instructions

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Physical Qualities

Notes were made on the texture, color, and odor of each paste. It is important to first note the qualities of a true henna paste, to use as comparison.

BAQ henna paste is green-brown in color when it is first applied. The paste is smooth and opaque, but with a very fine natural grit, as it is mixed from a plant powder. It dries to a matte deep brown. The stain that is left begins as a bright orange, then oxidizes to deep reds and browns. The odor is that of wet grass, citrus, and essential oils. It is a pleasant odor. The pre-made pastes were all relatively similar in their textures, colors, and odors, but completely different from the BAQ paste.

 

Texture

As indicated on many of the labels, the pre-made pastes were “gels.” They were extremely smooth and glossy. Some pastes were thicker, while others were runny. Cone 1 (Almas), was the most liquid-like; lines did not hold, and the product formed runny puddles. Nearly all of the pre-made pastes had a sticky or stringy consistency. If I dipped a toothpick in a sample of product and pulled it out, the product would stretch in thin strings. There was clearly some sort of binding or thickening agent added into the products to give them such a consistency. This is different from the stringy consistency one might find with BAQ henna paste, which allows the paste to be draped in thin, even lines. While BAQ henna drapes the way a smooth icing might, the gel pastes were more comparable to sticky paint.

The pastes I mixed from the hair dye powders were denser and grittier. The pastes turned smoother with stirring, but retained some grit. While evidence of some sort of thickening agent was present, these pastes were not as sticky and glossy as the pre-made pastes.

 

 

Texture tests for BAQ paste and pre-made pastes

 

 

 

Color

With the exception of Cone 1 (Almas), which was blue-black in color, the pre-made pastes showed variations of deep reddish brown to coffee brown when first squeezed out of the tube or cone. When smeared across a surface to form a fine layer, one could see that the gels were all translucent, and orange-red to brown-red in color.

The hair powders were gray before mixing with water. Once water was added, the pastes deepened from gray-brown with hints of blue or purple, to deep brown, to off-black.

 

Odor

All of the pre-made pastes had an overwhelmingly solvent-like odor that was noticeable within seconds of squeezing out a sample. The smell was similar to turpentine or gasoline. Even in a well-ventilated area, the odor took hours to dissipate after completing the tests. While I would describe BAQ henna as having a strong scent, the pre-made pastes emitted fumes, in the same way that an open bottle of nail polish remover quickly fills a space with the smell of something flammable. Cone 6 (Al Qamar) had a faint menthol or eucalyptus odor in addition to the solvent. The hair dye powders did not give off any notable odor, in neither powder nor paste form.

It is interesting to note that Cone 2 (Shama) had an ingredients list that is very similar to a true henna paste—henna, oil, citric acid, and water—but basic observation showed that this was far from the truth. Like the other products, this paste was a glossy gel with a deep red-brown color and strong odor. This goes to show that looking at an ingredients label is not enough when shopping for henna products.

 

Flammability

The flammability of the pre-mixed pastes was tested by saturating pieces of cotton with one of each of the products. Each piece of cotton was then held with tweezers over a flame for a few seconds. The BAQ henna paste was also tested using the same method. This test was not done with the hair dye pastes.

None of the samples ignited. A few sizzled and emitted dark wisps of smoke, but otherwise showed no difference in reaction when compared to the BAQ paste. The BAQ paste became dark and dry. An absence of combustion does not exclude the possibility of the pastes containing flammable ingredients; there may not have been high enough concentrations to cause combustion, or the additional moisture may have acted to prevent a flame.

 

Paper Chromatography

Chromatography tests are used to separate dyes. The paper chromatography test involves allowing a strip of absorbent paper holding a sample to wick a solvent such as isopropyl alcohol. As the solvent travels up the paper, it brings any dye contained in the sample along with it. Dyes will travel varying distances, resulting in unique bands of color to appear. This test alone cannot determine the exact dye ingredients, but comparing results can provide an idea of what types of dyes were involved. Below is a sample conducted on standard food coloring one can buy from the grocery store. One can see that the green dye contained both the blue and yellow dyes.

 

 

 

 

Using gloves to prevent my skin’s oils from contaminating the test, I cut 2 x 16cm strips from coffee filters. I measured and marked a line 2cm from the bottom of each strip. I applied a sample of each product along that line. All the strips were clipped to a rod and hung above a flat glass dish containing isopropyl alcohol (99% USP) so that the bottoms of the strips were in the alcohol, but the sample lines remained above. The samples were left for 60 minutes, and observed during that time.

 

Below are images of the process. The timer indicates remaining time.

 

 

Within seconds, the solvent began moving up the paper. Cone 1 (Almas) bled down into the solution. Luckily, this caused no noticeable contamination of results.

 

 

 

 

After five minutes. Cone 3 (Najma) begins bleeding into the solvent as well. Both cones 1 & 3 had been noted to be thinner and more liquid when tested for texture earlier.

 

 

With just over 20 minutes remaining, dye separation is quite apparent. Notice that the BAQ sample on the far left is very pale in comparison to all other samples.

 

 

 

 

 

Analysis of Pre-made Paste Chromatography

It is important to know that BAQ henna paste contains only one dye molecule, which is lawsone. Lawsone stains the skin by binding to the keratin. Initially, the stain on the skin is light, and then it oxidizes to deeper shades. BAQ henna usually contains 1-3% lawsone concentration. The dye is kept stable in an intermediary state by the low pH liquid used to mix the paste-- in this case, diluted lemon juice.

Cone 1 (Almas) was the only pre-made product I found which claimed to give a black result. Initially I assumed that it must have contained PPD. The results of this chromatography test showed that to be untrue; the dye is a deep blue color and most likely a concentrated food dye, or something similar. Below I will show the chromatography results for PPD hair dye. Strangely enough, a small amount of red-orange dye also separated from Cone 1’s sample, but it is clearly not lawsone.

Cones 2-6 showed similarities in the presence of highly concentrated brown-red dyes. Cone 2 (Shama) also exhibited an additional lighter dye strip at the top. It appears similar to that of Cone 1, but is present at a different height. Also interesting to note in Cone 2 is how the solvent turned the initial sample stripe a bright yellow color. This could be because all of the other dye was dissolved and wicked upward. The BAQ henna shows a similar result, as the initial line turned dull gray.

 

Powdered Hair Dye, and Additional BAQ Chromatography Samples

I conducted another chromatography test on the two powdered hair dyes, and to re-sample the BAQ henna which I felt may have been contaminated when Cone 1 bled beside the first BAQ sample.

 

Three identical BAQ samples on the left. On the right, Powder 1 (Bigen) and Powder B (ShoHan) respectively.

 

While both powdered hair dyes were labeled “black,” the pastes appeared to be very deep brown at the beginning of the test. These dyes are oxidative, meaning they darken as they process within the hair shaft (or in the case of “black henna,” while on the skin). Both PPD hair dye samples bled into the solvent, which made sense given that they were created by mixing the powders with water.

 

This photo was taken forty minutes in. I noted that both hair dyes samples showed a violet tinge as time went on.

 

 

 

 

The hair dyes appeared nearly identical in their chromatography results. The initial brown color darkened through a deep, muddy violet color, to a cool, charcoal black. As both products included full ingredients lists, there was no need to guess the presence of PPD.

These products were not marketed as henna, or for use on skin. They do not claim to be or contain henna. However, powdered black hair dyes such as these are very often used to create “black henna” which is applied in stalls and kiosks in tourist areas. They are simply highly concentrated PPD mixtures.

 

 

 

 

The additional BAQ samples were relatively similar to the initial sample. Here, the lawsone lines are more visible. A faint, green-brown line present beneath the orange dye lines was most likely due to plant reside which was wicked up along with the solvent. While the sample on the left appears as if there are four distinct dyes, one can see that the shape of the lines is uneven; rather than going straight across, indicating a clear separation of dyes, this separation is more likely due to inconsistencies in sample application, and solvent absorption/evaporation. Below are the results from the pre-made pastes, once again, for comparison.

 

 

 

Conclusions and Limitations

The purpose of this study was to investigate and report observable differences in texture, color, odor, flammability, and dye qualities of six pre-made “henna” pastes, and two “black henna” pastes. These products showed little to no similarities with BAQ henna paste, but were very similar to one another. Unlike BAQ paste, pre-made pastes were glossy, translucent gels. These pastes emitted a very strong solvent-like odor and contained highly concentrated dyes. Despite a possible presence of flammable ingredients, none of the pre-made pastes ignited when exposed to flame. Pastes mixed from powdered hair dye were dark brown to black and had no odor. Hair dye pastes were not tested for flammability.

Access to advanced laboratory equipment and methods would help to shed light on the chemical qualities of the products, and even determine the ingredients within them. Equipment such as a mass-spectrometer can do just this, but is very expensive and difficult to access without an established relationship with a lab.

However, the simple methods used in this study are more than enough to determine that pre-made pastes are far from true BAQ henna. True henna is made in small batches, and must be kept cold to prevent demise. The paste is opaque, green/brown, and smells pleasant. If you come across a product and are unsure of its ingredients or safety, err on the side of caution and do not use it. If you are very curious, squeeze a small amount onto a napkin and note its texture, color, and odor.

True henna is wonderful. It has been used for centuries in numerous countries. It has been observed to provide benefits to skin and hair. Commercialization has tainted the term, “henna” with innumerable products which are far from the real thing. For quality and safety, it is best to skip the cheap, fast stuff, and mix your own henna paste using BAQ henna from a reputable supplier.

 

PPD Sensitization in Men: Unique Risks and Gendered Behavior

This article was originally published at AncientSunrise.Blog.

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Introduction

Para-phenyelenediamine (PPD) is one of the most common allergens in cosmetics. While genetics can increase chances of allergy, anyone can develop a PPD allergy. High concentrations and repeated exposure increase the likelihood of becoming sensitized. Basic information about PPD is covered in an earlier article, What You Need to Know About Para-Phenylenediamine.

 Occupations that involve repeated exposure to PPD, such as hair stylists, and fur and textile workers, show higher rates of employees with PPD sensitization [13]. Outside of occupation-related sensitization, the average person is sensitized to PPD through a black henna tattoo, or through the use of hair dye. Prevalence rates of PPD sensitization are about 6.2% in North America, 4% in Europe, and 4.3% in Asia [1]. Overall, sensitization rates appear to be increasing over time [2]. Rates are higher in populations with darker hair, as dark hair dyes contain higher PPD concentrations. ​​ Rates of sensitization are also higher in countries where “black henna” is commonly used in place of traditional henna.

 PPD sensitization rates also vary between genders. Both body art and the use of hair dye are gendered behaviors; more women participate than men. This leads some to presume that PPD sensitization is more of a concern for women. While it is true that, overall, a higher percentage of women have PPD sensitization than men, it is important to discuss issues specific to men’s self-grooming and help-seeking behaviors that put the male population at unique risks. Certain populations of men experience higher rates of facial dermatitis due to frequent beard dyeing. Men who work in industries involving frequent contact with products that contain PPD or cross-reacting allergens may be forced out of their jobs to avoid continual allergic reaction. Men show reluctance to seek medical attention; this puts them at risk for future complications which could be avoided. Understanding gendered behavior may lead to better education, prevention, and treatment of PPD sensitization in men.

 

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This man will have permanent scarring from his “black henna” body art, and is now sensitized to PPD.

Source: https://shewhoseeks.blogspot.ca/2012_02_01_archive.html

 

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Avenues of PPD Sensitization

Traditionally, self-grooming and concerns for beauty have been characterized as feminine behaviors. Men spend less time and money in the use and consumption of beauty products and services. ​​ Gender-specific grooming practices will be explored further in the next section. About 30-40% of women and up to 10% of men in North America are regular hair dye users [2],[3]. Another study estimated that 70% of women and 20% of men have used hair dye at least once in their lifetime [4].

On the other hand, getting a “black henna” tattoo is much less gendered in western cultures, leading to a fairly even split in the numbers of males and females getting a temporary “black henna” tattoo. Traditional henna body art is highly gendered; it is used for decorating and beautifying women, especially for celebrations and social events. In contrast, “black henna,” when it is used in spaces of tourism, is used to mimic the look of true tattoos. It is not limited to a specific custom or style.black henna” is readily available on boardwalks and beaches, and in shopping malls, resorts, amusement parks, festivals, and fairs. Those who get “black henna” body art are usually children or young adults. [5], [6]. Children are attracted to body art that mimics tattoos because they like to imitate adult behavior. Parents who believe that “black henna” is harmless allow their children to have body art done, unaware of the risk of sensitization. Thus, both young boys and girls get “black henna” body art.

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A young boy is scarred and sensitized by a “black henna” tattoo.

Source: Daily Mail

 

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Of those who get a “black henna” tattoo, an estimated 50% will become sensitized [6], [7]. Some will experience a delayed contact dermatitis reaction following; some will not. A person can develop a sensitization even if they did not react to their first exposure. It is rare for consumers of “black henna” to understand the connection between the product used to create “black henna” body art, and hair dye. Children become sensitized to PPD through “black henna,” then later on may choose to dye their hair. The chances of a person previously sensitized by black henna having a severe (+++) reaction to PPD hair dye is about 40% [8]. A study found that 16% of adolescents in Manchester, England had a PPD allergy. Most of this was likely caused by the “black henna” they had gotten on holiday [8]. We will see a wave of hair dye reaction cases around 2030, when this population begins showing gray hair.

 

 

Source: Presentation to USFDA June 30, 2016: ‘‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Awareness, Education and Policy, Catherine Cartwright-Jones PhD

 

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 While girls and women favor delicate designs, boys and men are more likely to choose tribal-style patterns that cover large areas of the skin with a solid application of “black henna.” This larger surface area increases the amount of PPD to which the person is exposed, thus increasing the risk of sensitization. If the client experiences a delayed hypersensitivity reaction to the body art, a larger area of their body is subject to dermatitis symptoms such as blistering, permanent scarring, and hypopigmentation. This is only just one way gendered behavior creates unique variables in PPD sensitization.

If a parent sees that their child is suffering from a reaction to their “black henna” tattoo, they will probably take the child to a medical professional. Adults, especially men, may be less likely to seek medical attention for their own allergic reaction, especially if it is not severe. Neglecting to seek medical attention causes a person to remain uneducated about the nature of their allergy, putting them at risk for repeated exposures and reactions. Men’s help-seeking behaviors will be discussed later in this article.

 

 

Grooming Practices as Gendered Behavior

Conventional ideals for appearance differ greatly between those for men and those for women. Entire books are dedicated to the sociology behind gendered beauty norms; therefore, it is impossible to cover this subject in its entirety within this article. One salient feature is that feminine and masculine norms are often presented as binary, and in opposition with one another [9]. If one behavior is used in traditionally feminine self-grooming, it is avoided in traditionally masculine self-grooming [9], [10], [11]. This is particularly evident in the way we treat hair. ​​ In western societies, most men keep their hair short, while most women have longer hair. Of course, there are many exceptions, and there are people and groups who intentionally choose to defy norms through their appearance. As societal constructs of masculine and feminine ideals shift, so do people’s choices in personal style. However, there is still an overall trend in gendered grooming behaviors. Cosmetics companies actively seek to maintain these norms in the sorts of images they use in marketing their products.

 

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Use self-grooming products while still being manly… Because sports...Or something. Source: Media in Canada

 

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Overall, women dye their hair more than men. Women’s fashion trends change more rapidly than men’s, and women change their personal style more frequently than men do [10], [11]. They do so by altering the length, color, and texture of their hair. Cutting, dyeing, curling, straightening, braiding, and using tools, products, and accessories all help in keeping a style “fresh” or “up-to-date.” Conventional feminine beauty values youth, and fears the appearance of age [9]. Women are much more likely to dye their hair to mask grays, while gray hair is less of a concern for most men. These behaviors play into the higher rate of PPD sensitization in women.

 Men’s styles focus on conformity, consistency, and professionalism. Men do not change their hair as frequently. ​​ Feminine beauty is associated with youth; gray hair is undesirable. ​​ On the other hand, men are less concerned with going gray. Gray hair may even increase a man’s attractiveness. It is “distinguished.” The term “silver fox” is used predominately to describe mature, attractive men. Younger men in white-collar professions have even been told that adding some gray into their hair may help their appearance and rapport with clientele [9]. The brand Touch of Gray promises to dye men’s hair while leaving just enough gray to maintain that distinguished, mature image. While traditional concepts of masculinity once idealized the perfect man as rough and rugged, the increase of educated and white-collar careers caused a gradual shift to the image of a clean-cut, well-groomed, professional man, whose power comes from his professional success and wealth, and his ability to attract women [9], [10], [11].

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The products on the left all contain PPD. They are marketed toward men, or claim to be “natural.”

The image on the right shows the warning and patch test advisory on Just For Men dye.

 

 

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 Many men do dye their scalp hair and facial hair to mask their grays. The popular brand, Just for Men, directly targets men with its very name. Grooming products marketed toward men attempt to both reinforce the masculine ideal, and present self-grooming as a valid, masculine behavior. Marketing focuses on how the product will augment a man’s ability to attract women, or his image of professional success. By re-framing the use of hair and beauty products as a masculine behavior, companies can increase their number of male consumers.

Men’s use of hair dye is increasing, and the age of the average hair dye user is decreasing. More and more young people are using hair dye as a means of beauty and self expression, rather than for masking gray [22]. This shift in the demographic will lead to higher rates of sensitization and at younger ages, for both men and women.

 

Dyeing Beards

Facial hair is rather unique to men. Biologically, higher levels of androgen hormones lead to thicker, longer facial hair. While women also have facial hair, it is traditionally minimized through plucking, shaving, or bleaching. Few women have the biological ability to grow thick beards. ​​ Just as scalp hair can be cut, dyed, and styled to express a person’s identity, so can facial hair. Because it is mostly men who have noticeable facial hair, the use of dyes on facial hair and the repercussions are a uniquely male issue.

Facial skin is thin and sensitive. Facial hair, on the other hand, is coarser and more resistant to dye [12]. Those who dye their beards might choose stronger, more concentrated products, or leave the dye on for longer periods of time. This increases the chances of becoming sensitized to PPD. Additionally, a person who dyes their facial hair most likely also dyes their scalp hair, and possibly dyes both at the same time for the sake of convenience. Those who are already sensitized may experienced more severe reactions when the compound comes in contact with their face. The proximity to the nose and mouth leads to further risks. ​​ 

Because facial hair grows quickly, a person wishing to mask gray roots will have to dye frequently. Men who use beard dye do so as frequently as once every five days [12], [13]. Men who keep their scalp hair short will also show gray roots more quickly. Repeated exposures both increase the chances of becoming sensitized to PPD, and worsen symptoms for those who are already sensitized.

Furthermore, PPD sensitization can lead to cross-reactions with several structurally similar compounds, including those found in synthetic fragrances. If a man later chooses to shave their facial hair, the process of doing so can create cuts and micro-abrasions that leave the skin vulnerable to reactions from soaps, lotions, and aftershaves [14].

 

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This man is in the hospital for a severe reaction to beard dye. Source: Consumer Affairs

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Ethnicity, Culture, and Class in PPD Allergy Variability

A population’s variation in PPD allergy prevalence rates is dependent on several factors, such as behavior, the accessibility of PPD products, and the concentrations within those products. Demographics and geography play into these factors. In many European countries, laws have limited the maximum concentration of PPD allowed in hair dyes, and a related compound, para-toluenediamine (PTD) is often used instead [2]. (Side note: PTD is believed to be less sensitizing than PPD, but those who are already sensitized to PPD are likely to experience a cross-reaction with PTD. We’ll save that can of worms for another time.) In countries where PPD concentration in hair dye is restricted, or where PTD is more commonly used, sensitization rates to PPD are lower [4]. The same goes for countries with greater light-haired populations [1].

Conversely, in countries with less restriction on PPD concentration, and with larger dark-haired populations, we see higher sensitization rates. In many Asian countries, hair dyes with high PPD concentrations are easily available. Popular hair dye brands can contain up to 80% PPD. ​​ “Henna stone,” ​​ which is solid industrial PPD, is widely sold for use in hair dye and body art [6], [7]. The median prevalence rate in Asia is 4.3%, but ranges from 2-12% within regions and sub-groups [13].

 In Saudi Arabia, and among Arabic men regardless of their location, growing and coloring beards is common practice. The prevalence rate for facial dermatitis from dye is high among this population [12]. A Korean study found that about 64% of adults with gray hair had experience using hair dye, and of that group, about 24% experienced a reaction [15].

A study conducted by the Cleveland Clinic investigated sensitization rates in white and black racial groups, and found that rates were similar among both groups for all allergens except PPD. Black people overall showed much higher rates of PPD sensitization than white people (10.6% vs. 4.5% respectively), and black men had much higher sensitization rates than black women (21.2% vs. 4.2% respectively) [16]. This is likely influenced by a combination of hair dye use/exposure, occupation, and genetic differences.

 Black hair care is nearly a multi-billion dollar industry. Black women spend more money on cosmetics than non-black women. However, this alone does not explain why black men have significantly higher sensitization rates than black women. One factor could be that black men who dye their beards must do so frequently, and with high PPD concentrations, similar to the phenomenon seen in Arabic men. ​​ One class-action lawsuit against the Just For Men hair and beard dye brand claims that JFM unfairly targeted African American men in their marketing of a product that contained higher levels of PPD.

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Various iterations of Just For Men “Jet Black” hair and beard dyes all feature black men on the packaging. Source: Amazon

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Additionally, there may be a higher proportion of black men (in comparison to non-black men, and black women) in industries which handle PPD and related compounds, such as fur/leather/textile dyeing, and the manufacture and handling of black rubber products in rubber and automotive industries.

One can look at a statistic for PPD sensitization in, say, North America for example, and make an assumption that all of the population is at equal risk. This is far from the truth; sensitization rates vary greatly between sub-groups. More research needs to be done on specific populations to determine these sub-groups, and the factors which lead to higher rates of sensitization. Hair dye and “black henna” use, as well as occupation cause significant variation. More nuanced demographic data will create a clearer picture of the populations that might require additional attention.

 

 

Help-Seeking Behavior, Education, and Prevention

Sociological studies in men’s help-seeking behavior affirm that men are less likely than women to use medical services. Studies have focused on mental help and addiction, as well as common physical ailments such as headache and backache [17], [18]. There has yet been a study specifically regarding the help-seeking behaviors of men and women who experience a reaction to “black henna” tattoos, or PPD hair dye. However, one can infer from the general trend of help-seeking reluctance that there is a large population of men who are sensitized to PPD, who are entirely unaware of the allergy or how to manage it.

 Overall, most people who become sensitized to PPD from a “black henna” tattoo are not aware that the sensitizing agent, PPD, is the same compound used in hair dye. Numerous case reports have described patients seeking medical care for reactions to hair dye, who reported having gotten a “black henna” tattoo in the past [1-8], [13], [19-22]. It is estimated that, of those who experience a severe reaction to hair dye, only 10-30% of cases will be seen by a doctor, and even fewer by a dermatologist. [19], [20]. In a survey of 521 Korean adults with graying hair, a whopping 74% of those who reported experiencing a reaction to hair dye said that they did not visit a medical professional. The primary reasons were that they did not feel the reaction was severe enough (44.6%), and that they saw the side effects as a normal part of dyeing their hair (39.3%) [15]. Another article estimated that only 15% of people with a hair dye allergy seek treatment, and only a fraction of these people are patch-tested for allergies [22].

 Societal influences cause men in particular to choose to “tough out” medical problems rather than seeking help. If a man experiences a reaction to PPD and chooses not to seek medical help, he deprives himself of crucial information related to his sensitization. Most likely, he will think it was a one-time fluke. He might not learn that “black henna” and conventional hair dyes both contain PPD. He might not learn that PPD sensitization can lead to cross-reactions with other products such as black rubber, fabric dyes, photographic developer and lithography plates, photocopying and printing inks, ​​ oils, greases and gasoline.

 Without consulting a dermatologist or allergist, someone who is sensitized may never learn how to properly manage their new allergy, putting them at risk for repeated exposure and worsening symptoms. Furthermore, PPD sensitization can limit prospective occupations, or force workers to leave their jobs due to continuing and worsening reactions to the materials involved. This would affect people in cosmetology, fur and textile industries, rubber industries, automotive industries, work that involves printing and photo development, and numerous other fields [2].

Studies suggest that men’s help-seeking choices are influenced by the perceived potential for embarrassment, as well as the perceived normality of a problem. If an issue is ego-centric, meaning that it may affect a person’s self-image, men are less likely to seek help. The same goes for if a man perceives a problem as abnormal [17]. Advertisements for erectile dysfunction medications have focused on normalizing ED, as well as reinforcing the notion that the embarrassment of ED is worse than the embarrassment of consulting a doctor. This is an example of an attempt to normalize a medical issue and decrease the help-seeking behavior’s threat to a man’s self-esteem.

 

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This ad for Viagra affirms traditional masculine ideology. Source: Outsource Marketing

 

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While statistics show that few people seek medical treatment for reactions to hair dye, additional factors may cause men to do so even less. First, men are less likely to seek medical help than women. Second, because traditional masculine ideals enforce the belief that preoccupation with beauty, especially hair, is a feminine behavior, many men may be hesitant to seek help for reactions to hair dye. Doing so requires admitting to the use of hair dye, which can create a blow to a masculine self-image. While PPD is one of the most common allergens (named Allergen of the Year by the American Contact Dermatitis Society in 2006), people remain largely unaware of its risks. Women are more familiar with hair dye reactions than men. Men may perceive a reaction to hair dye to be both non-normal and a threat to self-image. Thus, it is essential that efforts be made to increase awareness about PPD sensitization, focusing on its severity, high likelihood, and prevalence.

 

 

Just for Men Class-Action Suit

The hair dye brand, Just For Men, is currently at the center of several class-action lawsuits. Users reported experiencing adverse reactions to the products on their scalp hair and/or facial hair. Some suits claim that the patch test advised in the packaging was not sufficient for determining how the product would affect the skin on the scalp and face. In fact, conducting a patch test may increase sensitization. As mentioned earlier, other suits claim that the company intentionally and unfairly targeted black men in their marketing of their Jet Black hair dye, which the legal group claims to contain 17 times more PPD than other dyes from the same company.

If you are a man who has experienced an allergic reaction to Just for Men, consider looking to find if there is a legal group with an open suit in your area.

This series of class action suits is a positive move forward in demanding stricter regulation and more responsibility on the part of hair dye companies. Such legal action has rarely occurred against companies marketing hair dye to women, and fewer acts have been successful. Overwhelmingly, users of hair dye see adverse effects as a “normal” part of the hair dyeing process, and even choose to continue using products that cause reactions because the thought of going gray is worse than enduring contact dermatitis symptoms [15].

 

Conclusion

Because women make up the majority of hair dye users, there is a paucity of research specific to men’s use of hair dye. It is likely that more men are sensitized to PPD than current numbers suggest. Data taken from medical databases and case reports only include those people who seek medical attention or make themselves available to researchers. Surveys depend on honest self-reporting of behaviors. Men’s help-seeking behaviors may have cause research numbers to be lower than the reality

Based on available data, men make up a smaller proportion of the PPD sensitized population, in comparison to women. There is an exception in the case of black men in the United States. While hair dye allergies are often framed in the context of the female consumer, it is critical that the male population not be forgotten. The use of dye on beards is unique to men and poses special risks. Studies on help-seeking behavior suggest that men are less likely to seek medical attention if they were to experience a reaction. The idea of self-grooming as a gendered behavior further prevents men from openly discussing their use of hair dye.

Young boys who get a “black henna” tattoo on vacation, while at an amusement park, or in other tourist settings, are at risk of experiencing a reaction later on in life if they choose to use oxidative dyes. “Black henna” tattoos contribute significantly to the number of people who have PPD sensitization. In the future, we will see an increase of both men and women who develop severe reactions to hair dye. ​​ As societal ideals of beauty, self-grooming, and gender norms change, hair dye use may increase among men. Already there is a shift in the use of hair dye as tool for masking age, to an avenue of self-expression in younger populations [22].

In order to ensure that both men and women are properly educated about the risks and prevalence of PPD sensitization, continued efforts must be made in raising awareness. Consumers should be aware that PPD is highly sensitizing, and that reactions from hair dye are quite common. Steps must be taken to prevent PPD sensitization before the onset. This includes continuing to raise awareness about “black henna” body art, pushing for stricter regulation of products containing PPD, and presenting safe alternatives for altering hair color and masking grays.

 

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To learn more about PPD sensitization, visit the following links.

The Henna Page: Black Henna Warnings

Catherine Cartwright-Jones’ PhD Dissertation, “The Geographies of the Black Henna Meme Organism and the Epidemic of Para-phenylenediamine Sensitization: A Qualitative History”

AncientSunrise.Blog: What You Need to Know About Para-Phenylenediamine

 

To learn how to use plant dyes as a safe and effective alternative for coloring hair and masking grays, read the Ancient Sunrise® Henna for Hair E-Book and visit www.HennaforHair.com, and ​​ www.Mehandi.com.

 

References

 

[1]Mukkanna, Krishna Sumanth, Natalie M. Stone, and John R. Ingram. "Para-phenylenediamine allergy: current perspectives on diagnosis and management." Journal of asthma and allergy 10 (2017): 9.

[2]Hamann, Dathan, Carsten R. Hamann, Jacob P. Thyssen, and Carola Lidén. "p‐Phenylenediamine and other allergens in hair dye products in the United States: a consumer exposure study." Contact Dermatitis 70, no. 4 (2014): 213-218.

[3]Redlick, Fara, and Joel DeKoven. "Allergic contact dermatitis to paraphenylendiamine in hair dye after sensitization from black henna tattoos: a report of 6 cases." Canadian Medical Association Journal 176, no. 4 (2007): 445-446.

[4]Schuttelaar, Marie-Louise Anna, and Tatiana Alexandra Vogel. "Contact Allergy to Hair Dyes." Cosmetics 3, no. 3 (2016): 21.

[5]Goldenberg, Alina, and Sharon E. Jacob. "Is the Use of PPD in Black Henna Tattoo Criminal or Remiss?." International Journal of Integrative Pediatrics and Environmental Medicine 1 (2014): 22-26.

[6] Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Mapping the Potential for Extreme Sensitization to Oxidative Hair Dye, Presentation at Society of Cosmetic Chemists’ 70th Annual Scientific Meeting, December 10, 2015, Catherine Cartwright-Jones PhD

[7]Presentation to USFDA June 30, 2016: ‘‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Awareness, Education and Policy, Catherine Cartwright-Jones PhD

[8] Smith V, Clark S, and Wilkinson M. “Allergic contact dermatitis in children: trends in allergens, 10 years on. A retrospective study of 500 children tested between 2005 and 2014 in one U.K. centre.” British Association of Dermatologists’ Annual Conference. Leeds Teaching Hospitals NHS Trust, Leeds, U.K. (2015).

[9] Synnott, Anthony. "Shame and glory: A sociology of hair." The British journal of sociology 38, no. 3 (1987): 381-413.

[10] Ricciardelli, Rosemary. "Masculinity, consumerism, and appearance: a look at men's hair." Canadian Review of Sociology/Revue canadienne de sociologie 48, no. 2 (2011): 181-201.

[11]Barber, Kristen. "The well-coiffed man: Class, race, and heterosexual masculinity in the hair salon." Gender & Society 22, no. 4 (2008): 455-476.

[12]Hsu, Te-Shao, Mark DP Davis, Rokea el-Azhary, John F. Corbett, and Lawrence E. Gibson. "Beard dermatitis due to para-phenylenediamine use in Arabic men." Journal of the American Academy of Dermatology 44, no. 5 (2001): 867-869.

[13]Handa, Sanjeev, Rahul Mahajan, and Dipankar De. "Contact dermatitis to hair dye: an update." ​​ Indian Journal of Dermatology, Venereology, and Leprology 78, no. 5 (2012): 583.

[14]Jensen, Peter, Torkil Menné, Jeanne D. Johansen, and Jacob P. Thyssen. "Facial allergic contact dermatitis caused by fragrance ingredients released by an electric shaver." Contact dermatitis 67, no. 6 (2012): 380-381.

[15]Kim, Jung Eun, Hee Dam Jung, and Hoon Kang. "A survey of the awareness, knowledge and behavior of hair dye use in a Korean population with gray hair." Annals of dermatology 24, no. 3 (2012): 274-279.

[16]Dickel, Heinrich, James S. Taylor, Phyllis Evey, and Hans F. Merk. "Comparison of patch test results with a standard series among white and black racial groups." American Journal of Contact Dermatitis 12, no. 2 (2001): 77-82.

[17]Addis, Michael E., and James R. Mahalik. "Men, masculinity, and the contexts of help seeking." American psychologist 58, no. 1 (2003): 5.

[18]Hunt, Kate, Joy Adamson, Catherine Hewitt, and Irwin Nazareth. "Do women consult more than men? A review of gender and consultation for back pain and headache." Journal of health services research & policy 16, no. 2 (2011): 108-117.

[19] Søsted, H., T. Agner, Klaus Ejner Andersen, and T. Menné. "55 cases of allergic reactions to hair dye: a descriptive, consumer complaint‐based study." Contact dermatitis 47, no. 5 (2002): 299-303.

[20] de Groot, Anton C. "Side‐effects of henna and semi‐permanent ‘black henna’tattoos: a full review." Contact dermatitis 69, no. 1 (2013): 1-25.

[21]Jacob, Sharon E., and Alina Goldenberg. "Allergic."

[22]McFadden, John P., Ian R. White, Peter J. Frosch, Heidi Sosted, Jenne D. Johansen, and Torkil Menne. "Allergy to hair dye." BMJ: British Medical Journal 334, no. 7587 (2007): 220.

 

 

Differences Between BAQ Henna for Body Art, Mass-Produced Henna Cones, and “Black Henna”

 

 

This article discusses the difference between products created for the use of decorating the skin. For differences between products labeled as “Henna for Hair,” click here.

 

For details about rules and regulations regarding the use of henna on skin, consult the About Page.

 

If you are either a person who is interested in using henna for body art, or if you are someone who wishes to get henna done, it is crucial to be familiar with what is considered real, natural, and safe henna, and what is not. Sadly, there are too many products on the market which claim to be henna (but they are not), and which can be dangerous to the skin. Knowing the difference will keep you and/or your clients safe. This article will describe the differences, and explain how to tell these products apart.

 

True Henna Paste for Body Art

Let’s start with the good stuff. True body art quality henna paste for the skin is made with BAQ henna powder, an acidic liquid (most commonly lemon juice), essential oils referred to as “terps,” and sometimes some sugar. That’s it. Most artists who use real henna paste mix it themselves in small batches, and fill their own cones. “BAQ” stands for Body Art Quality, indicating that the henna powder is finely sifted and free of additives.

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Many henna artists who use true henna mix their own paste and fill their own rolled mylar cones.

 

 When mixed, the paste must be left to dye-release for some time before use, and then kept cold or frozen if not used right away. At room temperature, henna paste will demise after one or two days, causing the dye to weaken. Demise occurs more quickly at warmer temperatures.

 Henna comes in only one “color.” It will stain skin a bright orange color which oxidizes to red-brown to deep coffee. The darkness of the stain depends on the area of skin that is being hennaed, proper aftercare of the design, and proper mixing.

Henna stains best on dry, rough skin with several layers. This is why henna is most commonly done on hands and feet. Areas like the back and stomach will stain lighter and fade more quickly.

 The longer the paste is kept on, the deeper the stain. Keeping the paste slightly moist and warm will also deepen the stain.

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Dye from henna paste migrates into the upper layers of the skin. The stain is orange at first, and oxidizes to deeper colors.

 

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Terps are the only ingredient that will affect the darkness of a stain. Coffee, dyes, and other ingredients should not be added. Terps are essential oils with monoterpene alcohols. These compounds aid in darkening the resulting color from the paste.

 

Mass-Produced Henna

Several companies produce “henna” paste meant to be used for body art, usually sold in packages with several cones. These are sold on the internet and in international stores. These products contain a number of additional chemicals to preserve the henna dye and to manipulate the color. Rather than using essential oils, cheaper alternatives are added to boost the color. These could be one or more of a wide range of solvents or terpineols that are not mean for use on skin. If you were to hold a flame to the paste and it ignites, it contains something that should not be in henna paste. If the product smells like a gas station or something in a janitorial closet, the same applies.

These pre-made paste cones are sometimes referred to as “chemical cones” by henna artists. Because these products are often produced in countries with loose regulations on ingredients disclosure, it is not enough to check the label.

 

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An example of mass-produced henna body art cones.

Source: York, Melissa. “Trading Standards prioritise dangerous henna in 2013.” ​​ Newham Recorder. January 11, 2013. http://www.newhamrecorder.co.uk/news/court-crime/trading_standards_prioritise_dangerous_henna_in_2013_1_1789524 ​​ 

 

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One sure sign of a chemical-laden cone is that it comes in color options. These products are sometimes offered as “red henna,” “brown henna,” and “black henna.” True henna does not vary in color this way. If a product is labeled specifying a color result, it is likely that there are added chemicals and dyes to affect the result. Para-phenylenediamine (PPD) may be added to pastes to darken the color. If the product is labeled “black henna,” it very likely contains PPD. ​​ The problems with PPD will be discussed in the section below.

 As mentioned above, true henna is normally mixed in small batches by the artist themselves. There are very few companies which sell pre-mixed paste, and if so, it is shipped overnight with insulation or cold packs. If you find a brand that is widely sold over the internet in large quantities and does not require rush shipping, it is most likely a mass-produced product that contains additives to preserve and/or alter the color.

 The following link contains a list of henna products seized by the FDA during import. The products described as henna paste or henna cones most likely fall into this category, as they are mass-produced and shipped from overseas. Keep in mind that any product labeled as henna for use on skin or for body art is illegal in the United States and can be seized. Being on this list does not absolutely guarantee that a product is dangerous or harmful. Safety can only be determined with a full list of ingredients and/or with lab testing. Click here to check for henna paste products that may be suspicious.

 Such products may also be sold in powder form or in kits for the customer to mix themselves. Pay attention to the instructions and the ingredients list, if one is available. Some of these products instruct the buyer to mix the powder with water and to use it right away. If the instructions do not sound like the normal procedure for mixing and dye-releasing henna paste, it is likely that the product contains additives.

In some cases, such products, either in paste or powder form, contain little to no henna at all. “Black henna” contains high levels of PPD and stains the skin black quickly. PPD might be added to a product that contains some henna in order to darken the result and speed up the staining time. Very often, it is used on its own.

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This product was available on Ebay. Notice the labeling. You can clearly see “Black” and “Fast,” and if you look closer, it even has a warning about hypersensitivity.

 

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“Black Henna”

While it is commonly known as “black henna,” the product used to create fast, black stains on skin is not henna at all. ​​ It contains a high concentration of para-phenylenediamine, a highly sensitizing compound which can cause contact dermatitis. Severe reactions can include painful blistering, weeping sores, and trouble breathing. These types of reactions require hospitalization.

 “Black Henna” is a mix of highly concentrated hair dye powder, and water or peroxide. Countries with lax regulations on PPD concentration produce hair dye with as much as 80% PPD, and this is used illegally for body art. In some cases, an artist may have purchased a product without understanding the difference between true henna and black henna, or the risks. “Black henna” has been sold to people looking for a quick buck during tourist seasons.

 

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This is a common hair dye brand used for mixing “black henna” paste. It contains 40% PPD.

 

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A study demonstrated that 100% of subjects were sensitized to PPD within five applications of a 10% concentration. Not all subjects took five applications to become sensitized. “Black henna” contains anywhere from 15% to upwards of 80% concentration, making it easy to sensitize a person after just one exposure.

 After being sensitized, a person will experience worsening reactions each time they come in contact with PPD. Commercial hair dye in the US contains a maximum of 6% PPD. People who do not know that “black henna” and hair dye contain the same ingredient will inadvertently expose themselves to serious allergic reaction if they dye their hair.

An artist mixing “black henna” in Bali. The two bottles are likely to be bottles of hair dye.

Source: Peta Rasdien, “Bali black henna health alert” The West Australian. September 4, 2013. http://au.news.yahoo.com/thewest/a/-/wa/18773124/bali-black-henna-health-alert/

 

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“Black henna” tattoos are commonly offered in areas of tourism, such as boardwalks and beaches. It is illegal in the United States and many other countries, but regulation is difficult and spotty. Every summer, news articles pop up of people experiencing severe reactions to “black henna” tattoos. Oftentimes they are children. Children and young adults are more likely to want a “black henna” tattoo while on vacation. Parents are too often unaware of the risks.

 Sometimes vacationers have heard about reactions from “black henna,” but decide to get it done anyway, thinking that the reactions are rare and unlikely to happen to them. In reality, the chances of becoming sensitized to PPD from one “black henna” tattoo are about 50%.

The sign reads, “Black Henna Tattoo / lasts 10 to 15 days / drying time 10 min / resistant to sea water, soap, sun, etc. / more than 2000 designs.”

The part about drying could either imply how long it takes for the paste to dry, or how long it takes to stain.

 

 To learn about para-phenylenediamine and its dangers in detail, read What You Need to Know about Para-Phenylenediamine (PPD)

 

 

How to Make Sure You Are Using Pure, BAQ Henna

Now that you know the difference between products labeled as “henna,” you will want to make sure that as an artist you are only using true henna--or, as someone who may want body art done, that the artist you choose is using it.

 

For Body Artists

Mix your own. Simple as that. Purchase 100% pure, BAQ henna powder from a reputable supplier; hopefully one which tests its product for additives and other chemical adulterants. If you really do not want to mix your own paste or do not have the time, there are some small companies which will sell pre-mixed paste. Make sure to ask for their ingredients. Check to see if they ship the item cold, and overnight. If the product does not have to be kept frozen, do not order it. If it seems like it is a mass-produced chemical cone, do not order it.

 

For Customers

Stalls offering henna appear at fairs, festivals, and vacation spots during the summer, and year round in sunny locations. Henna is also sometimes available at salons and tattoo shops. Make sure you are ready to ask questions and do a little sleuthing before you let any product touch your skin. Here are some questions to ask, and things to look for.

 

1. If the stall is outside on a warm day, check where they store their extra paste. Most henna artists keep their extra paste cool or frozen to prevent demise. If they have all of their cones sitting out, they are either “chemical cones,” or the artist does not know how to properly store their henna. Either way, you’ll not want a design from that person.

 If the cones look like they have been mass-produced in a factory (some signs might be identical labeling, plastic tips with caps, and cones made of shiny foil packaging), they probably were.

 In the case of “black henna,” you might expect to see small containers or fine-tipped bottled containing jet black liquid. “Black henna” must be mixed regularly, as the dye becomes ineffective after about an hour.

 

2. Look at their signs or portfolios. Many artists keep images of body art done in the past, either for advertising or to help customers select a pattern. There should never be images of patterns done in black paste, or jet black stains. Wet henna paste is green to brown, and dries dark brown. Fresh stains are orange. While a dried henna pattern can be very, it will never be raven black.

Note: Some artists use images of henna that they pulled from the internet. Ask the artist if the photos are of their own work.

 

3. Look at the artist’s hands. Henna artists very often henna themselves. If not, they may still have henna stains on their fingers from working with the product. The stains should be orange, to deep red, to deep brown, but never jet black. The color of henna varies on thicker skin and calluses. You should be able to see a difference in color between henna on the palms and back of the hands, and from fingertips to wrists.

Fresh stains are bright. After oxidation, the color varies from palm to wrist. A henna artist might have stains on their fingers of hands from working. These stains would vary based on location on the hand and how long ago they occurred.

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4. Ask the artist where they get their paste. They should be mixing their own. If they do not, check on the company they give you. If they refuse to tell you, walk away. If they say “It’s from India,” that’s not enough. Just because henna is ordered from a country where it is traditionally used does not mean it is safe.

 

5. If the artist says they mix their own paste, ask for their ingredients. A good artist will disclose this to you, as there is nothing secret or mysterious about henna paste. It should not be anything more than BAQ henna powder, lemon juice or another mildly acidic liquid, essential oils, and maybe sugar.

 

6. Ask to smell the paste. You might seem odd for doing it, but you could say that you’re sensitive to certain odors. True henna paste smells like wet grass and essential oils. If you get a whiff of anything that smells like gasoline or harsh chemicals, it’s a no-go. “Black henna” will not have a noticeable odor, but manufactured cones might. Do be careful when sniffing. Do the wafting technique like they teach you in chemistry class, to avoid getting a nose full of something you shouldn’t have.

 

7. Ask about aftercare and the color of the stain. True henna must be kept on as long as possible, and will initially be a bright orange color when it is first removed. The color deepens over the following couple of days. ​​ If the artist says that the paste can be removed after an hour or two (or even as little as fifteen minutes), and that the resulting stain will be immediately black, leave immediately.

 

With true henna, the initial stain is bright, and will deepen with oxidation during the following 48 hours. Keeping the paste on as long as possible ensures a darker, longer lasting stain. Do not trust any product that produces a fast, dark stain.

 

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8. “Black henna” stalls can be pretty obvious. They might even have a sign that says “black henna tattoos” or something similar. If not, look for black liquid that is applied with a brush, or containers of powdered hair dye. “Black henna” made from highly concentrated hair dye powder needs to be mixed and used rather quickly, and isn’t always applied with a cone. The liquid is black, whereas henna paste is a green or brown color when it is first applied.

(Note: Some henna artists do use brushes, bottles, and syringes, but a rolled cone is most common. “Black henna” liquid is sometimes thinner, and painted onto the skin, especially in the case of tribal designs or other designs with large areas of solid color.)

 

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Photos of advertising and materials at a “black henna” stand at Daytona Beach. You can see a large bottle of 40 volume developer, paint brushes, and small containers. Clearly not what is used for mixing and applying henna.

Source: Alyson Harris. ​​ Photos from Alyson Harris's post in PPD Free Henna Artists. ​​ Facebook. June 7, 2013.

 

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Final Notes

“Black henna” body art is illegal, and PPD sensitization is serious. If you find yourself at a fair or festival and you suspect that someone is using PPD-based “black henna,” it may be wise to contact the party in charge of the event and explain to them the dangers and liabilities of having such an artist present. If you are on vacation and see a “black henna stall,” contact the local health department. Take a photo on a phone or device that can record time, date, and location if possible. If you are able to get a sample of the product, do so. Please do not touch the paste itself.

 If you have recently gotten a “black henna” tattoo and are experiencing a reaction, do the same as above, if possible. Additionally, go to a doctor immediately and tell them that you are experiencing a delayed sensitivity reaction to para-phenylenediamine from “black henna.” Ask for a list of things to avoid. Besides other products containing PPD such as hair dye, a person who is sensitized may develop cross sensitization to a long list of things such as azo-dyes, fragrances, black rubber, and anesthetics. More about PPD sensitization can be found here.

Henna body art can be beautiful. Creating body art on others, and getting body art done should be a safe and enjoyable experience. To ensure this as either an artist or a customer, make sure to insist on only the real thing. If you have further questions about henna on skin, mass-produced henna cones, or “black henna,” feel free to comment below or email r_chou@mehandi.com.

 

What You Need to Know about Para-Phenylenediamine (PPD)

This article was originally posted on www.AncientSunrise.blog.

 

 

This article serves as the introduction to a series on Para-phenylenediamine (PPD): its health risks, history, and politics. In the coming weeks, articles will be published which explore each section in greater detail.

Para-phenylenediamine, or a chemically related -diamine is an ingredient used in virtually all oxidative hair dyes, both store-bought and used in salons. The oxidative dye process is formulated to quickly penetrate and stain the hair strand any color, including lightening hair by removing the pigment from the core of the hair and dyeing over it. ​​ Brunette and black hair dyes contain higher concentrations of PPD, though all colors can contain PPD.

Para-phenylenediamine can present a multitude of health risks if it is inhaled or if it comes in contact with skin. Despite a well-documented history of allergic reaction, sensitization, increased risk of cancer, and other serious health risks, it continues to be allowed in hair dyes at a maximum of 6% concentration in the United States. ​​ 

The rate of PPD sensitization is increasing, but many doctors, hairstylists, and consumers remain unaware or apathetic. A lack of knowledge about PPD leads to continuation of serious reactions for people who use products containing PPD and related ingredients. It also allows companies which manufacture and sell products containing PPD to do so with relatively no regulation nor legal repercussion.

Educating consumers about the dangers of PPD and safer alternatives is becoming an increasingly important mission at Ancient Sunrise®.

 

The molecular structure of Para-Phenylinediamine.

 

1. PPD is highly sensitizing, and studies link it to lupus, non-Hopkins lymphoma and asthma. ​​ Allergic reactions can cause severe injuries, and can be fatal.

The hazards of para-phenylenediamine have been known since its introduction for use as an industrial fur dye, and in personal hair dyes. Academic articles from as early as 1915 warn against it. Symptoms of allergic reactions to para-phenylenediamine may include itching, swelling, hives, blistering, depigmentation, and permanent scarring; the reaction is a delayed hypersensitivity reaction, often occurring 3 to 30 days after application, so they are frequently misdiagnosed.

 There have been an increasing number of fatal anaphylaxis reactions to PPD hair dye in recent years, particularly when people have previously had a PPD ‘black henna’ temporary tattoo. The allergic reactions often require emergency treatment to keep airways open, and further treatment in an ICU or burn ward. ​​ A person may additionally experience difficulty breathing and swelling of body parts near the site of exposure. In the case of hair dye use, this means swelling of the face, eyes, and throat. Reactions near the eyes can cause damage and loss of sight.

 

This woman experienced a severe reaction to a hair dye claiming to be henna, but which contained PPD. Article here.

 

 In countries where products with high PPD levels are easily accessible, ingesting hair dye is a known method of suicide and murder; women can generally purchase hair dye without arousing suspicion. Ingestion of PPD can lead to respiratory distress, rhabdomyolysis (muscle death), and renal failure.

 PPD exposure has been linked to increased chances of certain cancers as well as asthma and non-Hodgkins lymphoma. Despite all this, PPD is legal for use on hair within the United States at up to a 6% concentration. Cosmetics companies continue to tout PPD as a safe ingredient despite decades of research, case studies, and hospitalizations.

 

 

2. There is no requirement to disclose the concentration percentage of PPD in products manufactured in the US.

Regulation of PPD varies greatly by country. The United States limits PPD to up to a 6% concentration in hair dye. The FDA differentiates between products used for hair coloring, and products applied directly on the skin because hair dyes are supposed to be used off the scalp and washed away after a period of time. In reality, those who apply hair dye at home will apply the product to the scalp, and will not always follow processing time instructions.

Even when these products are applied correctly, there is no guarantee that the customer will not develop a sensitization or a reaction. The dye may drip onto the scalp, face, neck or ears during processing time. For some, this brief contact with a low concentration may be all that it takes.

 Other countries have a higher limit or no limit at all on concentration levels. These products are easy enough to purchase over the internet. They can also be found at international grocery stores. When hair dye is sold in powder form, concentration is directly dependent on the amount of water mixed with the powder. One study found that packages of black hair dye manufactured in India and China (often sold as black henna) contained 12.5% to over 30% PPD, far in excess of legally allowed levels. Other samples have been found to have as high as 60% PPD.

 

 

3. “Black Henna” body art is not henna. It is illegal, but laws are not well enforced.

“Black henna” appeared in the United States and flourished seemingly overnight in the 90’s, spurred by Madonna’s “Frozen” music video released in 1998. in the video, her hands are decorated with black henna patterns. ​​ These were done with Bigen black hair dye at the Ziba salon in Los Angeles. Based on first injury reports, it can be estimated that henna artists from South Asia have been using high PPD black hair dye since the 1980’s as “black henna.” Pop-up stalls in tourist locations offered temporary body art that stained the skin black very quickly, and lasted for two to four weeks. “Black henna” created the illusion of a real tattoo without the permanence or pain (unless one experiences a reaction). Black henna body artists were transient and often unaware of the dangers of their own materials.

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This person experienced a reaction and now has permanent scarring from a “black henna” tattoo gotten while on vacation.

 

 Within the United States and most countries, PPD is illegal for direct use on skin. While imported shipments of “black henna” body art products are regularly seized by customs, it is easy enough to purchase hair dyes containing PPD, which are not subject to seizure, and to use them on the skin. ​​ Dyes from countries with more lenient laws may report only “color powder” as an ingredient. Some international brands of popularly used for “black henna” body art contain as high as 30% PPD concentration, more than enough to sensitize an unsuspecting client in one exposure. A solid form of pure PPD is sold as “henna stone” from the banks of the Nile River, which creates instant black results for body art. This leads uninformed buyers to believe that a) the product is natural and safe; and b) that natural henna produces a black stain.

 

 

“Henna stone” is not natural. It is a solid piece of industrial grade PPD, at up to 90% concentration.

 

 The use of high concentrations of PPD for henna-like body art gained popularity first in East Africa in the 1970’s. The product was less expensive and required an easier preparation than natural henna. It provided instant, black results which mimic the look of a permanent tattoo, and are more visible on darker skin tones. This practice then moved into Western countries, especially in high tourism areas.

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Darker areas show where “black henna” is used as part of tourism; gray areas show where vacationers return home. Source:

 

Enforcing laws against the use of PPD on skin would require law enforcement officials to patrol ​​ high tourism areas such as beach fronts and piers where stalls are often set up. These stalls are transient, closing and opening in new locations. A solo artist could set up and work out of a toolbox, moving throughout the day. As mentioned earlier, many products containing high concentrations of PPD are not properly labeled, making it even more difficult to enforce bans.

In many cases, by the time a customer experiences a reaction to their “black henna” body art, the artist has long moved on to a new location, making it near impossible for health professionals to acquire a sample of what was used on the customer’s skin.

Www.mehandi.com sells Temptu professional-grade skin paint, which does not stain the skin and does not contain PPD, but which is water-resistant and can mimic the look of a black tattoo for up to seven days.

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This design was done with Temptu paint. You can find it here and learn how here.

For more information about “black henna” tattoos and their dangers, visit http://www.hennapage.com/henna/ppd/index.html.

 

4. PPD sensitization can happen to anyone.

Research has shown that with enough exposures to high enough concentrations of PPD, anyone will develop a sensitization to PPD. In a well known study, 100% of subjects exposed to 10% concentrations of PPD developed a reaction within five patch tests. Rate of sensitization varies greatly among individuals. For some, it may take only one exposure to a lower concentration. Though the oxidative hair dye industry claims that fewer than 3% of people are allergic to hair dye, many studies have shown that number to be higher, and coroner Geoff Fell estimates that 14% of people are allergic to oxidative hair dye.

 

 

“Black henna” artists use a mixture that is 15% PPD or more. The chances of becoming sensitized to PPD after getting a “black henna” tattoo is about 50% Once sensitized, a person will experience a reaction the next time they come in contact with PPD. ​​ Of the people who are sensitized to PPD from a “black henna” tattoo, about 40% will experience a severe reaction upon their next exposure. This might be another “black henna” tattoo, or it could be years later, when that person decides to dye their hair. Even if the first exposure did not cause any reaction, the body can still have become sensitized. The next time this person comes in contact with PPD, they may experience a severe reaction without any understanding of the cause.

 People who work in professions that require frequent contact with PPD can quickly develop sensitivities. Hair stylists who become PPD sensitive can no longer work at a traditional salon without experiencing reactions. PPD was once also used in fur-dyeing, leading to high rates of sensitization in fur industry workers.

5. Those who develop sensitivities to PPD may experience worsening symptoms with each exposure.

Reactions are not always immediate and severe. Oftentimes, reaction symptoms start out mild and worsen each time a person makes contact with the compound. A person who has dyed their hair using an oxidative dye for several years may at first experience no reaction, then one day notice some itching or burning, or have puffy eyes after applying hair dye. The next application might cause more painful symptoms. Before long, that person could require emergency hospital care for a reaction that has caused intense swelling to the entire face and head, and difficulty breathing.

Actor Pauley Perette had a typical progression of reaction: she had dyed her blonde hair black for twenty years, and the allergic reactions presented progressively until it was life-threatening. Follow the link here for additional news articles about PPD reactions.

 

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Image source: IMDb and NYDailyNews

 

 In 2012, a woman in the UK died after experiencing a reaction to an over-the-counter hair dye. Further investigation discovered she had previously gotten a “black henna” tattoo, which likely had sensitized her to future encounters with PPD. While this is an extreme case, it is not at all uncommon for people to become sensitized via exposure to a high concentration of PPD from a “black henna” tattoo, and go on to later use a dye containing PPD. People can become sensitized without experiencing an initial reaction. Those who do experience a reaction from “black henna” tattoos are usually unaware that commercial hair dyes contain the same ingredient.

One study discovered that even after participants were determined by way of patch test to have a PPD sensitivity, more than half continued to use hair dyes anyway. These participants were ones who experienced more mild reactions; those with severe reactions reported stopping hair dye. This shows that the average patient does not take their sensitization seriously, and is willing to endure a mild reaction for the sake of maintaining their desired hair color.

 

6. PPD sensitization can lead to cross-sensitization to related compounds.

Para-phenylinediamine is an aromatic amine in the benzodiamine family. Studies have shown that those with PPD sensitizations may also be sensitive to other benzodiamines, toluenediamines, analgesics such as benzocaine and lidocaine, azo-dyes, and PABA (para-aminobenzoic acid). The FDA lists examples of cross-sensitization here.

Hair dyes that are labeled “PPD free” may contain para-toluenediamine, a compound similar enough to elicit reactions for those who have PPD sensitivities, causing “PPD free” hair dyes to be just as problematic.

Unless tested in a clinical setting, it is unlikely that the average person who is sensitized to PPD will be aware of cross-sensitizations. This leaves them vulnerable to reactions from other sources, such as fabric dyes, cosmetics, black rubber (like that used to create car tires) pain relieving and numbing agents both administered in a hospital and bought over-the-counter, and even sunblock lotion.

Those who experience reactions from cross-sensitization may be frustrated and confused as to what is causing their allergies, and what products to avoid. A doctor may recognize a PPD sensitization and recommend their patient to stop using hair dyes containing PPD; however, if a patient has an unknown cross-sensitization, they may continue to present with similar symptoms without realizing the link.

 

7. The rate of PPD sensitization is growing.

The combination of an increased use in hair dye among younger people, and the explosion of the “black henna” industry in tourists areas has allowed for a jump in the rate of PPD sensitization. The most common source of sensitization for children and young adults is “black henna” tattoos. As mentioned above, the concentration of PPD in products used for “black henna” is extremely high, leading to a higher likelihood of sensitization in comparison to exposure to lower concentrations. This creates a population of youth who have already become sensitized prior to their first use of oxidative hair dye.

 Studies have shown that people are using hair dye at younger ages and at higher frequencies. While hair dye was once more commonly used to mask gray hairs that came with age, it is now a common cosmetic tool to change hair color on a whim, regardless of age.

 It is projected that by 2030, about 16% of middle class people in the UK, US, Australia, Korea, Japan, and Europe will be sensitized to PPD. The majority of this sensitization will have been caused by “black henna” tattoos gotten while on vacation. Rates will be higher in the Arabian Peninsula, East Africa, Muslim populations in Africa, and South Asia, where black henna has been used in weddings and for Eid. As the younger, “black henna” sensitized population reaches the age for graying hair, there will be a dramatic increase of PPD-related injury from hair dyes.

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Dark areas indicate where black henna is used to decorate the skin for events such as weddings, Eids, religious and cultural celebrations. Gray areas indicate where the practice has spread.

8. International henna” for hair, and “natural” hair dye products are loosely regulated, and can contain PPD regardless of labeling.

Standards for ingredient disclosure vary depending on the country of origin. In countries like India, manufacturers are not required to disclose their full list of ingredients on products such as hair dye. Henna for hair products can be labeled as “pure” and “all natural” but in reality include PPD, metallic salts, and other chemical adulterants. Some products labeled “henna” can include little to no henna at all. “Henna” becomes a vague, catch-all term for supposedly natural hair products, regardless of the existence of lawsonia inermis plant powder contained therein. These compound hennas are then mistaken for safe BAQ henna.

It is an incorrect assumption that a product originating from South Asia, the Middle East, or other regions in which henna grows is automatically safe and natural. It is often the case that these products are the most adulterated.

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These brands of hair dye contain high concentrations of PPD. Note that some are called “henna.”

 

9. Cosmetics companies that use PPD have little legal responsibility for PPD-related injuries.

US-based and international cosmetic giants which manufacture oxidative hair dyes containing PPD are relatively safe from litigation. They are required by the FDA to advise customers to conduct a patch test before using their products, and to avoid use if one has an allergy to “black henna.” This warning, along with the sheer size and strength of these companies, prevents successful legal action against them in the case of PPD-related injury. The lobbying power of these companies prevent the government from passing more stringent legislation on PPD. Current law does not require that injuries caused by hair dye reported to the manufacturer be made public, as this is regarded as financially sensitive information.

Dupont, the patent holder, explicitly absolves itself from harm done by any use that involves contact with skin.

“DuPont does not recommend and will not knowingly offer or sell p-phenylenediamine (PPD) for uses involving prolonged skin contact. Such uses may involve, but are not limited to, products formulated with henna for tattoo applications or other skin coloration effects. This use of PPD in prolonged skin contact application has the potential to induce allergic skin reactions in sensitive individuals.

Persons proposing to use PPD in any formulation involving any more than incidental skin contact must rely on their own medical and legal judgment without any representation on our part. They must accept full responsibility for the safety and effectiveness of their formulations.”

 

10. 100% pure henna is a safe, effective, and permanent alternative to oxidative hair dyes.

More and more people are seeking safer, natural cosmetic alternatives regardless of whether or not they have a sensitivity to ingredients in commercial products. Consumers are concerned about the environment and their own bodies. Using henna and related plant dye powders to dye hair is a process that requires more patience and knowledge than picking up a box of oxidative dye at the local store, but will yield permanent results without damage to the hair or body. It is essential that consumers insist on only henna products of the highest quality and purity. This means products that have been tested for PPD, metallic salts, and other harmful adulterants.

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Ancient Sunrise® Henna for Hair products are made of 100% pure plant powder.

They can be used on all types of hair, and produce virtually any natural shade.

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The practice of using plant powders to color the hair is centuries old. The knowledge of their use was once as commonplace as knowing how to drive a car is now. This can become the case again. It requires the availability of quality product, accurate information, and the dissemination of that information within and across communities through direct relationships and social networking. A common reason for being hesitant about using henna is that it seems complicated and time-consuming, but a great number of henna-users report that it becomes second nature, that they enjoy the process, and that the results are superior to boxed dyes.

 

Learn how to mix your own safe and natural hair dye and never worry about PPD again!

 

 Ancient Sunrise® provides quality products, information based in research, and a team of customer service representatives that are available through several avenues of communication. We have thousands of customers all over the world. We look forward to helping you on your journey to beautiful hair and healthier practices.

 

 

References

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Al-Suwaidi, Ayesha, and Hafiz Ahmed. "Determination of para-phenylenediamine (PPD) in henna in the United Arab Emirates." International Journal of Environmental Research and Public Health 7, no. 4 (2010): 1681-1693.

Brancaccio, Ronald R., Lance H. Brown, Young Tae Chang, Joshua P. Fogelman, Erick A. Mafong, and David E. Cohen. "Identification and quantification of para-phenylenediamine in a temporary black henna tattoo." American Journal of Contact Dermatitis 13, no. 1 (2002): 15-18.

Cartwright-Jones, Catherine. "The effect of black temporary tattoos on the chemical cosmetic industry and a solution to the problem."Sofw Journal 143 (2017): 24-30.

Chen, Weiyang, Thobile AN Nkosi, Sandra Combrinck, Alvaro M. Viljoen, and Catherine Cartwright-Jones. "Rapid analysis of the skin irritant p-phenylenediamine (PPD) in henna products using atmospheric solids analysis probe mass spectrometry." Journal of pharmaceutical and biomedical analysis 128 (2016): 119-125.

Fisher, Alexander A., Alfred Pelzig, and Norman B. Kanof. "The Persistence of Allergic Eczematous Sensitivity and the Cross-Sensitivity Pattern to Paraphenylenediamine** From The Department of Dermatology and Syphilology of the New York University Post Graduate Medical School (Dr. Marion B. Sulzberger, chairman) and The Skin and Cancer Unit of the New York University Hospital." Journal of Investigative Dermatology 30, no. 1 (1958): 9-12.

Hashim, M. Sir, Y. O. Hamza, B. Yahia, F. M. Khogali, and G. I. Sulieman. "Poisoning from henna dye and para-phenylenediamine mixtures in children in Khartoum." Annals of tropical paediatrics 12, no. 1 (1992): 3-6.

Hueber-Becker, Frédérique, Gerhard J. Nohynek, Eric K. Dufour, Wim JA Meuling, Albertus Th HJ de Bie, Herve Toutain, and Hermann M. Bolt. "Occupational exposure of hairdressers to [14 C]-para-phenylenediamine-containing oxidative hair dyes: A mass balance study." Food and chemical toxicology 45, no. 1 (2007): 160-169.

Jacob, Sharon E., and Bruce A. Brod. "Paraphenylenediamine in black henna tattoos: sensitization of toddlers indicates a clear need for legislative action." The Journal of clinical and aesthetic dermatology 4, no. 12 (2011): 46.

Jenkins, David, and Elizabeth T. Chow. "Allergic contact dermatitis to para‐phenylenediamine." Australasian Journal of Dermatology 56, no. 1 (2015): 40-43.

Kligman, A. M. 1966. “The identification of contact allergens by human assay. 3. The maximization test: a procedure for screening and rating contact sensitizers.” Journal of Investigative Dermatology, v. 47 issue 5, p. 393-409. (1966)

McFadden, John P., Ian R. White, Peter J. Frosch, Heidi Sosted, Jenne D. Johansen, and Torkil Menne. "Allergy to hair dye.” BMJ: British Medical Journal 334, no. 7587 (2007): 220.

Özkaya, Esen, Kurtulus D. Yazganoglu, Aysem Arda, Zeynep Topkarci, and Erol Erçag. "The "henna stone" myth." (2013).

Paley, Kristina, Larisa J. Geskin, and Matthew J. Zirwas. "Cutaneous B-cell pseudolymphoma due to paraphenylenediamine." The American journal of dermatopathology 28, no. 5 (2006): 438-441.

Seidenari, Stefania, Lucia Mantovani, Bianca Maria Manzini, and Marco Pignatti. "Cross‐sensitizations between azo dyes and para‐amino compound." Contact dermatitis 36, no. 2 (1997): 91-96.

Wilbert, M. I. "Cosmetics as Drugs." Pub. Health Rep. 30, no. Oct. 15 (1915): 3059.