Chinese New Year 2018: Year of the Dog

Happy Year of the Dog!

 

Chinese New Year follows the lunar calendar, so it falls on a different day of the Western calendar each year, always some time around January or February. The zodiac consists of twelve animals, repeating in a specific order: Rat, Ox, Tiger, Rabbit, Dragon, Snake, Horse, Goat, Monkey, Rooster, Dog, and Pig. This year, 2018, is the Year of the Dog. It is my mother’s year. I was born in the year of the Horse. Similar to astrology, it is believed that each animal has specific personality traits.

The legend goes that all twelve animals participated in a race. Near the end of the race, the animals had to swim across a river. The cunning Rat hopped onto the Ox, who was swimming across in the lead, and hopped off once they were back on dry land to win the race.

As a child, I remember seeing dragon dances, hearing fire-crackers popping, and cymbals and drums crashing in parades and performances in the Chinatown area of downtown Cleveland, Ohio. My aunt taught traditional dance, so I’d often watch family and friends perform, waving fans, flags, or silk ribbons, or pounding drums. Seeing the red and gold decorations appearing in restaurants and stores during the preceding weeks always filled me with excitement. The cold, gray, Ohio winter would come to life once again. I remember family gatherings, huge tables of food, and... hong bao (red envelopes)! It is traditional to give younger family members red envelopes of money during Chinese New Year. What kid doesn’t like getting some extra cash?

 

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A packed and decorated temple.

(These next couple images are from my family’s celebration in Taiwan. I was here in Montreal.)

 

 

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Here are a few more traditions and superstitions for Chinese New Year:

 

1. Wearing red and gold attracts good luck and fortune. It is bad luck to wear black or white, which are colors associated with death and funerals.

 

2. Firecrackers, drums, and cymbals are used to scare off evil spirits and bad luck.

 

3. Homes are cleaned before the New Year, but cleaning is avoided the day of, because good luck might be thrown out or swept away with the dirt and trash. Trash is not thrown out for the first three days of the year. People will also avoid bathing on New Year’s Day.

 

4. Similarly, one should not get a hair cut near Chinese New Year, as it symbolizes cutting your life short.

 

5. Mandarin oranges are displayed and eaten, as they are a symbol of good luck.

 

6. Fish are also another sign of luck and fortune, which is why many New Year’s decorations involve fish. A fish dish is placed on the dinner table on New year’s Eve, but it is not eaten then. It is saved for New Year’s Day, so the “leftover” fortune from the old year can flow over to the new.

 

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In the bottom right corner, you can see the fish dish, which is covered with plastic so it can be saved for later.

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7. It is common to go to the bank to exchange old money for crisp, new bills. The money given in red envelopes is always brand new money.

 

8. The number 8 is always a lucky number in Chinese tradition! But avoid things in groups of four, especially when giving gifts, as the word for “four” in Chinese sounds similar to the word for “death.”

 

 

My beautiful grandparents getting ready to dole out some dough.

 

 

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The Body Art

 

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I realized I hadn’t ever done a body art piece specifically for Chinese New Year, and I was excited to give it a try. Henna is not traditionally used in Chinese culture. I saw this as an opportunity to blend boundaries, and create something with a new medium. Henna stains are a lovely deep red color, which pair well with the red and gold gilding I added. I used common images associated with Chinese culture and the holiday: plum blossoms, which are Taiwan’s national flower, and red lanterns. As it is the year of the dog, I placed the silhouette of a dog in the center of my hand. The arched pattern on the fingers is a common pattern seen in Chinese decoration and art.

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I did my makeup to be a modernized version of traditional Chinese makeup. Historical artwork, and images from Chinese operas show women with pale faces, straight, soft brows, red and pink hues on their eyelids, cheeks, and temples, and small, red lips. Styles varied through dynasties.

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I wanted some of the photos to feel like they were from an earlier time. I grew up in the United States, and I loved looking through my family’s photo albums from Taiwan, seeing my mother and grandparents in sepia and soft colors, my young grandmother in an elegant but western dress of the ‘50s. My much of my heritage is held in memories that others made long before I was born. My identity is a mix of Eastern and Western traditions, and they way they came together. Old photos and new celebrations. Hong bao with American bills. Dragon dances in Cleveland slush.

 

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A Comparison of Body Art Quality Henna Paste, Pre-Made Pastes, and “Black Henna”

 

 

 

A little while ago, I read a post by a henna artist on a social media site bemoaning that yet another person contacted her to say that henna was dangerous and that it would cause allergic reactions. This is not uncommon in the henna body art community. Henna paste for body art made from body art quality ​​ (BAQ) henna and other natural ingredients is completely safe. This person had most likely heard of the dangers of “black henna.” Then, there are those people on the opposite side of misinformation who believe that if a product is called “henna,” it must therefore be natural and safe 100% of the time. ​​ Also not true.

The sad truth is that there are innumerable mass-produced products easily accessible online and on international store shelves which claim to be “henna” but are a mixture of food dyes, solvents, preservatives, para-phenelyendiamine (PPD), and other additives. These products are labeled as “henna,” but may not contain any material from the lawsonia inermis plant.

These products are designed to be a fast, cheap, and easy alternative to mixing true henna paste from scratch. True henna paste must be mixed, dye-released, and coned. It degrades at room temperature. True henna must be left on the skin for several hours for a deep stain; after paste removal, the stain is light at first, then oxidizes to a deeper color over the subsequent 48 hours. Stains from true henna paste vary depending on skin thickness and texture. Pre-made pastes are designed to have long shelf-lives, and quick, dark stains, but at potential risk to the consumer.

 As the word “henna” is not regulated, it can be used simply to describe a form of body art which involves temporarily staining the skin, rather than the product of the henna plant. To learn more about the differences between pure, BAQ henna, mass-produced henna cones, and “black henna,” click here. To learn more about the dangers of PPD and “black henna,” click here.

The population is very diverse in my neighborhood of Montreal, Quebec, and as a result, there are several international grocery stores within just a few blocks of my home. I went out to the nearest two and purchased all of the pre-made “henna” cones I found on the shelves. I also purchased two types of powdered black hair dyes popularly used to create “black henna” paste. I compared each of these products to my own BAQ paste in terms of texture, odor, and color. I also recorded notes on the packaging and instructions, and conducted a paper chromatography test to observe dye separation. Here are my findings.

 

Comparing BAQ Henna Paste, Pre-made Pastes, and Paste Made From Powdered Hair Dye

The purpose of this study is to note physical and chemical differences between true, BAQ henna paste, and products which are used as alternatives. As I sampled only the products available within a short distance from my home, future studies may be done on a wider range of products such as those most popular on online shopping sites.

Without more advanced methods at my disposal, it is impossible to determine the exact ingredients in the products, and therefore their level of safety. To err on the side of caution, I assumed that all of the store-bought products were potentially harmful, taking the safety measures described in the section below. The powdered hair dyes clearly indicated their ingredients, which included para-phenylenediamine, known to be highly sensitizing when in contact with the skin.

The purpose of this study is not to comment on the quality, popularity, or reputation of any of the products involved, but rather to report on the attributes which can be noted through basic observation.

 

Safety Measures

Please note that I do not, under any circumstance, recommend replicating this experiment. There was no way to determine what the products contained and whether they were dangerous. The powdered hair dyes contained a concentrated amount of PPD, which is known to be highly sensitizing, as well as toxic if ingested. Many of the pre-made pastes possessed no ingredients label; those that did were likely to have excluded ingredients from their list due to lax regulation. I wore protective gloves and worked in a well-ventilated space to prevent skin contact and inhalation of fumes. Afterward, I thoroughly cleaned all surfaces to prevent future exposure or contamination.

 

Product Selection

For this experiment, a product qualified if it met one or more of the following: 1) It was labeled “henna” and came in a cone or tube; 2) it did not have the word “henna” but packaging showed images of decorated skin; 3) it was packaged and marketed as a black hair dye, but is known for use on skin.

I purchased every product available in two local international stores, without purchasing duplicates, or more than one product from each brand. In the case of two products from the same brand, I chose that which advertised a darker color.

In total, I purchased six pre-made pastes and two powdered black hair dyes. All products except Cone 4 (Kanza) are shown in the image below.

 

 

 

 

 

Procedure

Using written notes as well as visual and audio recording, I commented on each product’s packaging, including the presence of ingredients lists, instructions, warnings, promised results, and country or manufacture.

After opening the packaging, I noted physical qualities of the paste: consistency, color, and odor. I tested each paste by drawing lines and dots. In the case of the two hair dye powders, I mixed each with water to a consistency similar to the pre-made pastes.

I then conducted two additional tests: one for flammability, and the second a chromatography test to compare dye separation between products. The procedures and results for these two tests will be discussed in detail later in this article.

All products’ results were compared to a cone of BAQ henna paste which I created using henna powder, lemon juice, water, sugar, and essential oils.

 

Packaging

The pre-made pastes were relatively similar in packaging. They were either in a plastic tube with a small twist cap, similar to the type of packaging for an ointment; or, they were in a rolled foil cone which was taped at the top and sealed with a pin at the tip.

Nearly all of the products came from Pakistan, with the exception of Cone 4, which was from Dubai. Only two products featured ingredients lists, and only one recommended a patch test. Very few instructions were present. Cone 5 read, “Wash hands after 15 minutes” which could be interpreted either as instructions, a warning, or an advertisement of the speed of the product’s staining ability.

Four of the six pastes had “Export Quality” printed somewhere on the packaging. I could not find clear information about the countries’ standards for determining this. More likely than not, they are just words put on there to sound fancy.

The two powdered hair dyes had complete instructions, warnings, and ingredients lists. Warnings and ingredients were printed on the box; the pamphlets inside repeated the warnings, and provided instructions for conducting a patch test as well as mixing and application.

The boxes of hair dye each contained a small glass bottle with a twist cap, underneath which was a rubber stopper. Each supplied a small measuring cup, and one supplied disposable gloves.

Both hair dyes were marketed toward Eastern Asian customers, and/or included Eastern Asian elements on the packaging. One was from a Japanese company which outsourced its manufacturing to India; the other was produced in Pakistan. Both boxes included promises of no ammonia or peroxide, adding to the sense that the product was safe or healthy. (Side note: the woman who rung me up commented that these dyes were “natural,” and “much safer than what you’d get at a drug store.” I just smiled and nodded.)

 

Below are details for each product’s packaging.

 

Cone 1

Name of Product

On Box: “Almas / Cone Henna Paste / Henna Body Decoration Paste”

On Tube: “Special Cone Henna Paste”

Type of Packaging

Plastic tube with thin tip twist cap, within a paper box

Country of Manufacture

Pakistan

Ingredients Listed

None listed

Instructions

Warning

“External Use Only”

Additional Details

On Box:

Black”

One of the finest quality and largest selling Henna in the world”

On Tube:

“100% Color”

“No side effect.”

“We feel proud that your trust is on our product...”

Export Quality From Pakistan”

An email address provided

 

Cone 2

Name of Product

“Shama / Cone Henna / Henna Body Decoration Paste”

Type of Packaging

Plastic tube with thin tip twist cap, within a paper box

Country of Manufacture

Pakistan

Ingredients Listed

Natural Hinna, Hinna Oil, Citric Acid & Water” (sic)

Instructions

See Image Below

Warning

Warning: Not to be used on lips and aroun the eyes area” (sic)

Additional Details

Extra Dark Color”

Finest Quality Henna in The World”

Halal”

 

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Shama Instructions and Warnings

 

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Cone 3

Name of Product

Special / Najma / Gel Cone / Mehndi”

Type of Packaging

Foil cone with pin tip, within paper box

Country of Manufacture

Pakistan

Ingredients Listed

None

Instructions

None

Warning

None

Additional Details

Export Quality”

 

Cone 4

Name of Product

Kanza / Henna Cone”

Type of Packaging

Foil cone with pin tip

Country of Manufacture

Dubai, UAE

Ingredients Listed

None

Instructions

None

Warning

None

Additional Details

The Supreme Quality Henna Selling in the World”

“Trademark 383381”

“Emergency Cone Henna”

“Export Quality”

“A Product of Noorani & Company”

A website provided

 

Cone 5

Name of Product

“Anarkali / Brown Out Liner”

Type of Packaging

Foil cone with with pin tip

Country of Manufacture

Pakistan

Ingredients Listed

None

Instructions

“Wash Hands Within 15 Minutes”

Warning

None

Additional Details

Registered 152393”

An email address provided

 

Cone 6

Name of Product

“Al Qamar / Nail Henna”

Type of Packaging

Small foil tube with twist cap, within paper box

Country of Manufacture

Pakistan

Ingredients Listed

Instructions

None

Warning

None

Additional Details

Export Quality”

Approved by PCSIR”

Company address and phone numbers provided

 

Powder 1

Name of Product

“Bigen / Permanent Powder Hair Color / 59 Oriental Black”

Type of Packaging

Paper box containing glass bottle of powder sealed with rubber stopper and twist cap. Box also contained a small plastic measuring cup and pamphlet of instructions.

Country of Manufacture

Pakistan

Ingredients Listed

Instructions

See Image Below

Warning

See Image Below

Additional Details

Contains No Ammonia”

Requires No Hydrogen Peroxide”

 

 

Instructions for Bigen Hair Dye

 

 

Warnings and patch test for Bigen Hair Dye

 

 

Powder 2

Name of Product

“ShoHan / Japanese / Instant Powder Hair Color”

Type of Packaging

Paper box containing glass bottle of powder sealed with rubber stopper and twist cap. Box also contained a small plastic measuring cup and pamphlet of instructions.

Country of Manufacture

India

Ingredients Listed

Instructions

See Image Below

Warning

See Image Below

Additional Details

Contains No Ammonia Peroxide”

100% Gray Coverage”

 

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ShoHan Hair Dye instructions and warnings

 

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ShoHan Hair Dye Special Features and Patch Test Instructions

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Physical Qualities

Notes were made on the texture, color, and odor of each paste. It is important to first note the qualities of a true henna paste, to use as comparison.

BAQ henna paste is green-brown in color when it is first applied. The paste is smooth and opaque, but with a very fine natural grit, as it is mixed from a plant powder. It dries to a matte deep brown. The stain that is left begins as a bright orange, then oxidizes to deep reds and browns. The odor is that of wet grass, citrus, and essential oils. It is a pleasant odor. The pre-made pastes were all relatively similar in their textures, colors, and odors, but completely different from the BAQ paste.

 

Texture

As indicated on many of the labels, the pre-made pastes were “gels.” They were extremely smooth and glossy. Some pastes were thicker, while others were runny. Cone 1 (Almas), was the most liquid-like; lines did not hold, and the product formed runny puddles. Nearly all of the pre-made pastes had a sticky or stringy consistency. If I dipped a toothpick in a sample of product and pulled it out, the product would stretch in thin strings. There was clearly some sort of binding or thickening agent added into the products to give them such a consistency. This is different from the stringy consistency one might find with BAQ henna paste, which allows the paste to be draped in thin, even lines. While BAQ henna drapes the way a smooth icing might, the gel pastes were more comparable to sticky paint.

The pastes I mixed from the hair dye powders were denser and grittier. The pastes turned smoother with stirring, but retained some grit. While evidence of some sort of thickening agent was present, these pastes were not as sticky and glossy as the pre-made pastes.

 

 

Texture tests for BAQ paste and pre-made pastes

 

 

 

Color

With the exception of Cone 1 (Almas), which was blue-black in color, the pre-made pastes showed variations of deep reddish brown to coffee brown when first squeezed out of the tube or cone. When smeared across a surface to form a fine layer, one could see that the gels were all translucent, and orange-red to brown-red in color.

The hair powders were gray before mixing with water. Once water was added, the pastes deepened from gray-brown with hints of blue or purple, to deep brown, to off-black.

 

Odor

All of the pre-made pastes had an overwhelmingly solvent-like odor that was noticeable within seconds of squeezing out a sample. The smell was similar to turpentine or gasoline. Even in a well-ventilated area, the odor took hours to dissipate after completing the tests. While I would describe BAQ henna as having a strong scent, the pre-made pastes emitted fumes, in the same way that an open bottle of nail polish remover quickly fills a space with the smell of something flammable. Cone 6 (Al Qamar) had a faint menthol or eucalyptus odor in addition to the solvent. The hair dye powders did not give off any notable odor, in neither powder nor paste form.

It is interesting to note that Cone 2 (Shama) had an ingredients list that is very similar to a true henna paste—henna, oil, citric acid, and water—but basic observation showed that this was far from the truth. Like the other products, this paste was a glossy gel with a deep red-brown color and strong odor. This goes to show that looking at an ingredients label is not enough when shopping for henna products.

 

Flammability

The flammability of the pre-mixed pastes was tested by saturating pieces of cotton with one of each of the products. Each piece of cotton was then held with tweezers over a flame for a few seconds. The BAQ henna paste was also tested using the same method. This test was not done with the hair dye pastes.

None of the samples ignited. A few sizzled and emitted dark wisps of smoke, but otherwise showed no difference in reaction when compared to the BAQ paste. The BAQ paste became dark and dry. An absence of combustion does not exclude the possibility of the pastes containing flammable ingredients; there may not have been high enough concentrations to cause combustion, or the additional moisture may have acted to prevent a flame.

 

Paper Chromatography

Chromatography tests are used to separate dyes. The paper chromatography test involves allowing a strip of absorbent paper holding a sample to wick a solvent such as isopropyl alcohol. As the solvent travels up the paper, it brings any dye contained in the sample along with it. Dyes will travel varying distances, resulting in unique bands of color to appear. This test alone cannot determine the exact dye ingredients, but comparing results can provide an idea of what types of dyes were involved. Below is a sample conducted on standard food coloring one can buy from the grocery store. One can see that the green dye contained both the blue and yellow dyes.

 

 

 

 

Using gloves to prevent my skin’s oils from contaminating the test, I cut 2 x 16cm strips from coffee filters. I measured and marked a line 2cm from the bottom of each strip. I applied a sample of each product along that line. All the strips were clipped to a rod and hung above a flat glass dish containing isopropyl alcohol (99% USP) so that the bottoms of the strips were in the alcohol, but the sample lines remained above. The samples were left for 60 minutes, and observed during that time.

 

Below are images of the process. The timer indicates remaining time.

 

 

Within seconds, the solvent began moving up the paper. Cone 1 (Almas) bled down into the solution. Luckily, this caused no noticeable contamination of results.

 

 

 

 

After five minutes. Cone 3 (Najma) begins bleeding into the solvent as well. Both cones 1 & 3 had been noted to be thinner and more liquid when tested for texture earlier.

 

 

With just over 20 minutes remaining, dye separation is quite apparent. Notice that the BAQ sample on the far left is very pale in comparison to all other samples.

 

 

 

 

 

Analysis of Pre-made Paste Chromatography

It is important to know that BAQ henna paste contains only one dye molecule, which is lawsone. Lawsone stains the skin by binding to the keratin. Initially, the stain on the skin is light, and then it oxidizes to deeper shades. BAQ henna usually contains 1-3% lawsone concentration. The dye is kept stable in an intermediary state by the low pH liquid used to mix the paste-- in this case, diluted lemon juice.

Cone 1 (Almas) was the only pre-made product I found which claimed to give a black result. Initially I assumed that it must have contained PPD. The results of this chromatography test showed that to be untrue; the dye is a deep blue color and most likely a concentrated food dye, or something similar. Below I will show the chromatography results for PPD hair dye. Strangely enough, a small amount of red-orange dye also separated from Cone 1’s sample, but it is clearly not lawsone.

Cones 2-6 showed similarities in the presence of highly concentrated brown-red dyes. Cone 2 (Shama) also exhibited an additional lighter dye strip at the top. It appears similar to that of Cone 1, but is present at a different height. Also interesting to note in Cone 2 is how the solvent turned the initial sample stripe a bright yellow color. This could be because all of the other dye was dissolved and wicked upward. The BAQ henna shows a similar result, as the initial line turned dull gray.

 

Powdered Hair Dye, and Additional BAQ Chromatography Samples

I conducted another chromatography test on the two powdered hair dyes, and to re-sample the BAQ henna which I felt may have been contaminated when Cone 1 bled beside the first BAQ sample.

 

Three identical BAQ samples on the left. On the right, Powder 1 (Bigen) and Powder B (ShoHan) respectively.

 

While both powdered hair dyes were labeled “black,” the pastes appeared to be very deep brown at the beginning of the test. These dyes are oxidative, meaning they darken as they process within the hair shaft (or in the case of “black henna,” while on the skin). Both PPD hair dye samples bled into the solvent, which made sense given that they were created by mixing the powders with water.

 

This photo was taken forty minutes in. I noted that both hair dyes samples showed a violet tinge as time went on.

 

 

 

 

The hair dyes appeared nearly identical in their chromatography results. The initial brown color darkened through a deep, muddy violet color, to a cool, charcoal black. As both products included full ingredients lists, there was no need to guess the presence of PPD.

These products were not marketed as henna, or for use on skin. They do not claim to be or contain henna. However, powdered black hair dyes such as these are very often used to create “black henna” which is applied in stalls and kiosks in tourist areas. They are simply highly concentrated PPD mixtures.

 

 

 

 

The additional BAQ samples were relatively similar to the initial sample. Here, the lawsone lines are more visible. A faint, green-brown line present beneath the orange dye lines was most likely due to plant reside which was wicked up along with the solvent. While the sample on the left appears as if there are four distinct dyes, one can see that the shape of the lines is uneven; rather than going straight across, indicating a clear separation of dyes, this separation is more likely due to inconsistencies in sample application, and solvent absorption/evaporation. Below are the results from the pre-made pastes, once again, for comparison.

 

 

 

Conclusions and Limitations

The purpose of this study was to investigate and report observable differences in texture, color, odor, flammability, and dye qualities of six pre-made “henna” pastes, and two “black henna” pastes. These products showed little to no similarities with BAQ henna paste, but were very similar to one another. Unlike BAQ paste, pre-made pastes were glossy, translucent gels. These pastes emitted a very strong solvent-like odor and contained highly concentrated dyes. Despite a possible presence of flammable ingredients, none of the pre-made pastes ignited when exposed to flame. Pastes mixed from powdered hair dye were dark brown to black and had no odor. Hair dye pastes were not tested for flammability.

Access to advanced laboratory equipment and methods would help to shed light on the chemical qualities of the products, and even determine the ingredients within them. Equipment such as a mass-spectrometer can do just this, but is very expensive and difficult to access without an established relationship with a lab.

However, the simple methods used in this study are more than enough to determine that pre-made pastes are far from true BAQ henna. True henna is made in small batches, and must be kept cold to prevent demise. The paste is opaque, green/brown, and smells pleasant. If you come across a product and are unsure of its ingredients or safety, err on the side of caution and do not use it. If you are very curious, squeeze a small amount onto a napkin and note its texture, color, and odor.

True henna is wonderful. It has been used for centuries in numerous countries. It has been observed to provide benefits to skin and hair. Commercialization has tainted the term, “henna” with innumerable products which are far from the real thing. For quality and safety, it is best to skip the cheap, fast stuff, and mix your own henna paste using BAQ henna from a reputable supplier.

 

PPD Sensitization in Men: Unique Risks and Gendered Behavior

This article was originally published at AncientSunrise.Blog.

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Introduction

Para-phenyelenediamine (PPD) is one of the most common allergens in cosmetics. While genetics can increase chances of allergy, anyone can develop a PPD allergy. High concentrations and repeated exposure increase the likelihood of becoming sensitized. Basic information about PPD is covered in an earlier article, What You Need to Know About Para-Phenylenediamine.

 Occupations that involve repeated exposure to PPD, such as hair stylists, and fur and textile workers, show higher rates of employees with PPD sensitization [13]. Outside of occupation-related sensitization, the average person is sensitized to PPD through a black henna tattoo, or through the use of hair dye. Prevalence rates of PPD sensitization are about 6.2% in North America, 4% in Europe, and 4.3% in Asia [1]. Overall, sensitization rates appear to be increasing over time [2]. Rates are higher in populations with darker hair, as dark hair dyes contain higher PPD concentrations. ​​ Rates of sensitization are also higher in countries where “black henna” is commonly used in place of traditional henna.

 PPD sensitization rates also vary between genders. Both body art and the use of hair dye are gendered behaviors; more women participate than men. This leads some to presume that PPD sensitization is more of a concern for women. While it is true that, overall, a higher percentage of women have PPD sensitization than men, it is important to discuss issues specific to men’s self-grooming and help-seeking behaviors that put the male population at unique risks. Certain populations of men experience higher rates of facial dermatitis due to frequent beard dyeing. Men who work in industries involving frequent contact with products that contain PPD or cross-reacting allergens may be forced out of their jobs to avoid continual allergic reaction. Men show reluctance to seek medical attention; this puts them at risk for future complications which could be avoided. Understanding gendered behavior may lead to better education, prevention, and treatment of PPD sensitization in men.

 

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This man will have permanent scarring from his “black henna” body art, and is now sensitized to PPD.

Source: https://shewhoseeks.blogspot.ca/2012_02_01_archive.html

 

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Avenues of PPD Sensitization

Traditionally, self-grooming and concerns for beauty have been characterized as feminine behaviors. Men spend less time and money in the use and consumption of beauty products and services. ​​ Gender-specific grooming practices will be explored further in the next section. About 30-40% of women and up to 10% of men in North America are regular hair dye users [2],[3]. Another study estimated that 70% of women and 20% of men have used hair dye at least once in their lifetime [4].

On the other hand, getting a “black henna” tattoo is much less gendered in western cultures, leading to a fairly even split in the numbers of males and females getting a temporary “black henna” tattoo. Traditional henna body art is highly gendered; it is used for decorating and beautifying women, especially for celebrations and social events. In contrast, “black henna,” when it is used in spaces of tourism, is used to mimic the look of true tattoos. It is not limited to a specific custom or style.black henna” is readily available on boardwalks and beaches, and in shopping malls, resorts, amusement parks, festivals, and fairs. Those who get “black henna” body art are usually children or young adults. [5], [6]. Children are attracted to body art that mimics tattoos because they like to imitate adult behavior. Parents who believe that “black henna” is harmless allow their children to have body art done, unaware of the risk of sensitization. Thus, both young boys and girls get “black henna” body art.

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A young boy is scarred and sensitized by a “black henna” tattoo.

Source: Daily Mail

 

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Of those who get a “black henna” tattoo, an estimated 50% will become sensitized [6], [7]. Some will experience a delayed contact dermatitis reaction following; some will not. A person can develop a sensitization even if they did not react to their first exposure. It is rare for consumers of “black henna” to understand the connection between the product used to create “black henna” body art, and hair dye. Children become sensitized to PPD through “black henna,” then later on may choose to dye their hair. The chances of a person previously sensitized by black henna having a severe (+++) reaction to PPD hair dye is about 40% [8]. A study found that 16% of adolescents in Manchester, England had a PPD allergy. Most of this was likely caused by the “black henna” they had gotten on holiday [8]. We will see a wave of hair dye reaction cases around 2030, when this population begins showing gray hair.

 

 

Source: Presentation to USFDA June 30, 2016: ‘‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Awareness, Education and Policy, Catherine Cartwright-Jones PhD

 

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 While girls and women favor delicate designs, boys and men are more likely to choose tribal-style patterns that cover large areas of the skin with a solid application of “black henna.” This larger surface area increases the amount of PPD to which the person is exposed, thus increasing the risk of sensitization. If the client experiences a delayed hypersensitivity reaction to the body art, a larger area of their body is subject to dermatitis symptoms such as blistering, permanent scarring, and hypopigmentation. This is only just one way gendered behavior creates unique variables in PPD sensitization.

If a parent sees that their child is suffering from a reaction to their “black henna” tattoo, they will probably take the child to a medical professional. Adults, especially men, may be less likely to seek medical attention for their own allergic reaction, especially if it is not severe. Neglecting to seek medical attention causes a person to remain uneducated about the nature of their allergy, putting them at risk for repeated exposures and reactions. Men’s help-seeking behaviors will be discussed later in this article.

 

 

Grooming Practices as Gendered Behavior

Conventional ideals for appearance differ greatly between those for men and those for women. Entire books are dedicated to the sociology behind gendered beauty norms; therefore, it is impossible to cover this subject in its entirety within this article. One salient feature is that feminine and masculine norms are often presented as binary, and in opposition with one another [9]. If one behavior is used in traditionally feminine self-grooming, it is avoided in traditionally masculine self-grooming [9], [10], [11]. This is particularly evident in the way we treat hair. ​​ In western societies, most men keep their hair short, while most women have longer hair. Of course, there are many exceptions, and there are people and groups who intentionally choose to defy norms through their appearance. As societal constructs of masculine and feminine ideals shift, so do people’s choices in personal style. However, there is still an overall trend in gendered grooming behaviors. Cosmetics companies actively seek to maintain these norms in the sorts of images they use in marketing their products.

 

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Use self-grooming products while still being manly… Because sports...Or something. Source: Media in Canada

 

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Overall, women dye their hair more than men. Women’s fashion trends change more rapidly than men’s, and women change their personal style more frequently than men do [10], [11]. They do so by altering the length, color, and texture of their hair. Cutting, dyeing, curling, straightening, braiding, and using tools, products, and accessories all help in keeping a style “fresh” or “up-to-date.” Conventional feminine beauty values youth, and fears the appearance of age [9]. Women are much more likely to dye their hair to mask grays, while gray hair is less of a concern for most men. These behaviors play into the higher rate of PPD sensitization in women.

 Men’s styles focus on conformity, consistency, and professionalism. Men do not change their hair as frequently. ​​ Feminine beauty is associated with youth; gray hair is undesirable. ​​ On the other hand, men are less concerned with going gray. Gray hair may even increase a man’s attractiveness. It is “distinguished.” The term “silver fox” is used predominately to describe mature, attractive men. Younger men in white-collar professions have even been told that adding some gray into their hair may help their appearance and rapport with clientele [9]. The brand Touch of Gray promises to dye men’s hair while leaving just enough gray to maintain that distinguished, mature image. While traditional concepts of masculinity once idealized the perfect man as rough and rugged, the increase of educated and white-collar careers caused a gradual shift to the image of a clean-cut, well-groomed, professional man, whose power comes from his professional success and wealth, and his ability to attract women [9], [10], [11].

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The products on the left all contain PPD. They are marketed toward men, or claim to be “natural.”

The image on the right shows the warning and patch test advisory on Just For Men dye.

 

 

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 Many men do dye their scalp hair and facial hair to mask their grays. The popular brand, Just for Men, directly targets men with its very name. Grooming products marketed toward men attempt to both reinforce the masculine ideal, and present self-grooming as a valid, masculine behavior. Marketing focuses on how the product will augment a man’s ability to attract women, or his image of professional success. By re-framing the use of hair and beauty products as a masculine behavior, companies can increase their number of male consumers.

Men’s use of hair dye is increasing, and the age of the average hair dye user is decreasing. More and more young people are using hair dye as a means of beauty and self expression, rather than for masking gray [22]. This shift in the demographic will lead to higher rates of sensitization and at younger ages, for both men and women.

 

Dyeing Beards

Facial hair is rather unique to men. Biologically, higher levels of androgen hormones lead to thicker, longer facial hair. While women also have facial hair, it is traditionally minimized through plucking, shaving, or bleaching. Few women have the biological ability to grow thick beards. ​​ Just as scalp hair can be cut, dyed, and styled to express a person’s identity, so can facial hair. Because it is mostly men who have noticeable facial hair, the use of dyes on facial hair and the repercussions are a uniquely male issue.

Facial skin is thin and sensitive. Facial hair, on the other hand, is coarser and more resistant to dye [12]. Those who dye their beards might choose stronger, more concentrated products, or leave the dye on for longer periods of time. This increases the chances of becoming sensitized to PPD. Additionally, a person who dyes their facial hair most likely also dyes their scalp hair, and possibly dyes both at the same time for the sake of convenience. Those who are already sensitized may experienced more severe reactions when the compound comes in contact with their face. The proximity to the nose and mouth leads to further risks. ​​ 

Because facial hair grows quickly, a person wishing to mask gray roots will have to dye frequently. Men who use beard dye do so as frequently as once every five days [12], [13]. Men who keep their scalp hair short will also show gray roots more quickly. Repeated exposures both increase the chances of becoming sensitized to PPD, and worsen symptoms for those who are already sensitized.

Furthermore, PPD sensitization can lead to cross-reactions with several structurally similar compounds, including those found in synthetic fragrances. If a man later chooses to shave their facial hair, the process of doing so can create cuts and micro-abrasions that leave the skin vulnerable to reactions from soaps, lotions, and aftershaves [14].

 

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This man is in the hospital for a severe reaction to beard dye. Source: Consumer Affairs

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Ethnicity, Culture, and Class in PPD Allergy Variability

A population’s variation in PPD allergy prevalence rates is dependent on several factors, such as behavior, the accessibility of PPD products, and the concentrations within those products. Demographics and geography play into these factors. In many European countries, laws have limited the maximum concentration of PPD allowed in hair dyes, and a related compound, para-toluenediamine (PTD) is often used instead [2]. (Side note: PTD is believed to be less sensitizing than PPD, but those who are already sensitized to PPD are likely to experience a cross-reaction with PTD. We’ll save that can of worms for another time.) In countries where PPD concentration in hair dye is restricted, or where PTD is more commonly used, sensitization rates to PPD are lower [4]. The same goes for countries with greater light-haired populations [1].

Conversely, in countries with less restriction on PPD concentration, and with larger dark-haired populations, we see higher sensitization rates. In many Asian countries, hair dyes with high PPD concentrations are easily available. Popular hair dye brands can contain up to 80% PPD. ​​ “Henna stone,” ​​ which is solid industrial PPD, is widely sold for use in hair dye and body art [6], [7]. The median prevalence rate in Asia is 4.3%, but ranges from 2-12% within regions and sub-groups [13].

 In Saudi Arabia, and among Arabic men regardless of their location, growing and coloring beards is common practice. The prevalence rate for facial dermatitis from dye is high among this population [12]. A Korean study found that about 64% of adults with gray hair had experience using hair dye, and of that group, about 24% experienced a reaction [15].

A study conducted by the Cleveland Clinic investigated sensitization rates in white and black racial groups, and found that rates were similar among both groups for all allergens except PPD. Black people overall showed much higher rates of PPD sensitization than white people (10.6% vs. 4.5% respectively), and black men had much higher sensitization rates than black women (21.2% vs. 4.2% respectively) [16]. This is likely influenced by a combination of hair dye use/exposure, occupation, and genetic differences.

 Black hair care is nearly a multi-billion dollar industry. Black women spend more money on cosmetics than non-black women. However, this alone does not explain why black men have significantly higher sensitization rates than black women. One factor could be that black men who dye their beards must do so frequently, and with high PPD concentrations, similar to the phenomenon seen in Arabic men. ​​ One class-action lawsuit against the Just For Men hair and beard dye brand claims that JFM unfairly targeted African American men in their marketing of a product that contained higher levels of PPD.

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Various iterations of Just For Men “Jet Black” hair and beard dyes all feature black men on the packaging. Source: Amazon

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Additionally, there may be a higher proportion of black men (in comparison to non-black men, and black women) in industries which handle PPD and related compounds, such as fur/leather/textile dyeing, and the manufacture and handling of black rubber products in rubber and automotive industries.

One can look at a statistic for PPD sensitization in, say, North America for example, and make an assumption that all of the population is at equal risk. This is far from the truth; sensitization rates vary greatly between sub-groups. More research needs to be done on specific populations to determine these sub-groups, and the factors which lead to higher rates of sensitization. Hair dye and “black henna” use, as well as occupation cause significant variation. More nuanced demographic data will create a clearer picture of the populations that might require additional attention.

 

 

Help-Seeking Behavior, Education, and Prevention

Sociological studies in men’s help-seeking behavior affirm that men are less likely than women to use medical services. Studies have focused on mental help and addiction, as well as common physical ailments such as headache and backache [17], [18]. There has yet been a study specifically regarding the help-seeking behaviors of men and women who experience a reaction to “black henna” tattoos, or PPD hair dye. However, one can infer from the general trend of help-seeking reluctance that there is a large population of men who are sensitized to PPD, who are entirely unaware of the allergy or how to manage it.

 Overall, most people who become sensitized to PPD from a “black henna” tattoo are not aware that the sensitizing agent, PPD, is the same compound used in hair dye. Numerous case reports have described patients seeking medical care for reactions to hair dye, who reported having gotten a “black henna” tattoo in the past [1-8], [13], [19-22]. It is estimated that, of those who experience a severe reaction to hair dye, only 10-30% of cases will be seen by a doctor, and even fewer by a dermatologist. [19], [20]. In a survey of 521 Korean adults with graying hair, a whopping 74% of those who reported experiencing a reaction to hair dye said that they did not visit a medical professional. The primary reasons were that they did not feel the reaction was severe enough (44.6%), and that they saw the side effects as a normal part of dyeing their hair (39.3%) [15]. Another article estimated that only 15% of people with a hair dye allergy seek treatment, and only a fraction of these people are patch-tested for allergies [22].

 Societal influences cause men in particular to choose to “tough out” medical problems rather than seeking help. If a man experiences a reaction to PPD and chooses not to seek medical help, he deprives himself of crucial information related to his sensitization. Most likely, he will think it was a one-time fluke. He might not learn that “black henna” and conventional hair dyes both contain PPD. He might not learn that PPD sensitization can lead to cross-reactions with other products such as black rubber, fabric dyes, photographic developer and lithography plates, photocopying and printing inks, ​​ oils, greases and gasoline.

 Without consulting a dermatologist or allergist, someone who is sensitized may never learn how to properly manage their new allergy, putting them at risk for repeated exposure and worsening symptoms. Furthermore, PPD sensitization can limit prospective occupations, or force workers to leave their jobs due to continuing and worsening reactions to the materials involved. This would affect people in cosmetology, fur and textile industries, rubber industries, automotive industries, work that involves printing and photo development, and numerous other fields [2].

Studies suggest that men’s help-seeking choices are influenced by the perceived potential for embarrassment, as well as the perceived normality of a problem. If an issue is ego-centric, meaning that it may affect a person’s self-image, men are less likely to seek help. The same goes for if a man perceives a problem as abnormal [17]. Advertisements for erectile dysfunction medications have focused on normalizing ED, as well as reinforcing the notion that the embarrassment of ED is worse than the embarrassment of consulting a doctor. This is an example of an attempt to normalize a medical issue and decrease the help-seeking behavior’s threat to a man’s self-esteem.

 

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This ad for Viagra affirms traditional masculine ideology. Source: Outsource Marketing

 

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While statistics show that few people seek medical treatment for reactions to hair dye, additional factors may cause men to do so even less. First, men are less likely to seek medical help than women. Second, because traditional masculine ideals enforce the belief that preoccupation with beauty, especially hair, is a feminine behavior, many men may be hesitant to seek help for reactions to hair dye. Doing so requires admitting to the use of hair dye, which can create a blow to a masculine self-image. While PPD is one of the most common allergens (named Allergen of the Year by the American Contact Dermatitis Society in 2006), people remain largely unaware of its risks. Women are more familiar with hair dye reactions than men. Men may perceive a reaction to hair dye to be both non-normal and a threat to self-image. Thus, it is essential that efforts be made to increase awareness about PPD sensitization, focusing on its severity, high likelihood, and prevalence.

 

 

Just for Men Class-Action Suit

The hair dye brand, Just For Men, is currently at the center of several class-action lawsuits. Users reported experiencing adverse reactions to the products on their scalp hair and/or facial hair. Some suits claim that the patch test advised in the packaging was not sufficient for determining how the product would affect the skin on the scalp and face. In fact, conducting a patch test may increase sensitization. As mentioned earlier, other suits claim that the company intentionally and unfairly targeted black men in their marketing of their Jet Black hair dye, which the legal group claims to contain 17 times more PPD than other dyes from the same company.

If you are a man who has experienced an allergic reaction to Just for Men, consider looking to find if there is a legal group with an open suit in your area.

This series of class action suits is a positive move forward in demanding stricter regulation and more responsibility on the part of hair dye companies. Such legal action has rarely occurred against companies marketing hair dye to women, and fewer acts have been successful. Overwhelmingly, users of hair dye see adverse effects as a “normal” part of the hair dyeing process, and even choose to continue using products that cause reactions because the thought of going gray is worse than enduring contact dermatitis symptoms [15].

 

Conclusion

Because women make up the majority of hair dye users, there is a paucity of research specific to men’s use of hair dye. It is likely that more men are sensitized to PPD than current numbers suggest. Data taken from medical databases and case reports only include those people who seek medical attention or make themselves available to researchers. Surveys depend on honest self-reporting of behaviors. Men’s help-seeking behaviors may have cause research numbers to be lower than the reality

Based on available data, men make up a smaller proportion of the PPD sensitized population, in comparison to women. There is an exception in the case of black men in the United States. While hair dye allergies are often framed in the context of the female consumer, it is critical that the male population not be forgotten. The use of dye on beards is unique to men and poses special risks. Studies on help-seeking behavior suggest that men are less likely to seek medical attention if they were to experience a reaction. The idea of self-grooming as a gendered behavior further prevents men from openly discussing their use of hair dye.

Young boys who get a “black henna” tattoo on vacation, while at an amusement park, or in other tourist settings, are at risk of experiencing a reaction later on in life if they choose to use oxidative dyes. “Black henna” tattoos contribute significantly to the number of people who have PPD sensitization. In the future, we will see an increase of both men and women who develop severe reactions to hair dye. ​​ As societal ideals of beauty, self-grooming, and gender norms change, hair dye use may increase among men. Already there is a shift in the use of hair dye as tool for masking age, to an avenue of self-expression in younger populations [22].

In order to ensure that both men and women are properly educated about the risks and prevalence of PPD sensitization, continued efforts must be made in raising awareness. Consumers should be aware that PPD is highly sensitizing, and that reactions from hair dye are quite common. Steps must be taken to prevent PPD sensitization before the onset. This includes continuing to raise awareness about “black henna” body art, pushing for stricter regulation of products containing PPD, and presenting safe alternatives for altering hair color and masking grays.

 

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To learn more about PPD sensitization, visit the following links.

The Henna Page: Black Henna Warnings

Catherine Cartwright-Jones’ PhD Dissertation, “The Geographies of the Black Henna Meme Organism and the Epidemic of Para-phenylenediamine Sensitization: A Qualitative History”

AncientSunrise.Blog: What You Need to Know About Para-Phenylenediamine

 

To learn how to use plant dyes as a safe and effective alternative for coloring hair and masking grays, read the Ancient Sunrise® Henna for Hair E-Book and visit www.HennaforHair.com, and ​​ www.Mehandi.com.

 

References

 

[1]Mukkanna, Krishna Sumanth, Natalie M. Stone, and John R. Ingram. "Para-phenylenediamine allergy: current perspectives on diagnosis and management." Journal of asthma and allergy 10 (2017): 9.

[2]Hamann, Dathan, Carsten R. Hamann, Jacob P. Thyssen, and Carola Lidén. "p‐Phenylenediamine and other allergens in hair dye products in the United States: a consumer exposure study." Contact Dermatitis 70, no. 4 (2014): 213-218.

[3]Redlick, Fara, and Joel DeKoven. "Allergic contact dermatitis to paraphenylendiamine in hair dye after sensitization from black henna tattoos: a report of 6 cases." Canadian Medical Association Journal 176, no. 4 (2007): 445-446.

[4]Schuttelaar, Marie-Louise Anna, and Tatiana Alexandra Vogel. "Contact Allergy to Hair Dyes." Cosmetics 3, no. 3 (2016): 21.

[5]Goldenberg, Alina, and Sharon E. Jacob. "Is the Use of PPD in Black Henna Tattoo Criminal or Remiss?." International Journal of Integrative Pediatrics and Environmental Medicine 1 (2014): 22-26.

[6] Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Mapping the Potential for Extreme Sensitization to Oxidative Hair Dye, Presentation at Society of Cosmetic Chemists’ 70th Annual Scientific Meeting, December 10, 2015, Catherine Cartwright-Jones PhD

[7]Presentation to USFDA June 30, 2016: ‘‘Black Henna’ and the Epidemic of para-Phenylenediamine Sensitization: Awareness, Education and Policy, Catherine Cartwright-Jones PhD

[8] Smith V, Clark S, and Wilkinson M. “Allergic contact dermatitis in children: trends in allergens, 10 years on. A retrospective study of 500 children tested between 2005 and 2014 in one U.K. centre.” British Association of Dermatologists’ Annual Conference. Leeds Teaching Hospitals NHS Trust, Leeds, U.K. (2015).

[9] Synnott, Anthony. "Shame and glory: A sociology of hair." The British journal of sociology 38, no. 3 (1987): 381-413.

[10] Ricciardelli, Rosemary. "Masculinity, consumerism, and appearance: a look at men's hair." Canadian Review of Sociology/Revue canadienne de sociologie 48, no. 2 (2011): 181-201.

[11]Barber, Kristen. "The well-coiffed man: Class, race, and heterosexual masculinity in the hair salon." Gender & Society 22, no. 4 (2008): 455-476.

[12]Hsu, Te-Shao, Mark DP Davis, Rokea el-Azhary, John F. Corbett, and Lawrence E. Gibson. "Beard dermatitis due to para-phenylenediamine use in Arabic men." Journal of the American Academy of Dermatology 44, no. 5 (2001): 867-869.

[13]Handa, Sanjeev, Rahul Mahajan, and Dipankar De. "Contact dermatitis to hair dye: an update." ​​ Indian Journal of Dermatology, Venereology, and Leprology 78, no. 5 (2012): 583.

[14]Jensen, Peter, Torkil Menné, Jeanne D. Johansen, and Jacob P. Thyssen. "Facial allergic contact dermatitis caused by fragrance ingredients released by an electric shaver." Contact dermatitis 67, no. 6 (2012): 380-381.

[15]Kim, Jung Eun, Hee Dam Jung, and Hoon Kang. "A survey of the awareness, knowledge and behavior of hair dye use in a Korean population with gray hair." Annals of dermatology 24, no. 3 (2012): 274-279.

[16]Dickel, Heinrich, James S. Taylor, Phyllis Evey, and Hans F. Merk. "Comparison of patch test results with a standard series among white and black racial groups." American Journal of Contact Dermatitis 12, no. 2 (2001): 77-82.

[17]Addis, Michael E., and James R. Mahalik. "Men, masculinity, and the contexts of help seeking." American psychologist 58, no. 1 (2003): 5.

[18]Hunt, Kate, Joy Adamson, Catherine Hewitt, and Irwin Nazareth. "Do women consult more than men? A review of gender and consultation for back pain and headache." Journal of health services research & policy 16, no. 2 (2011): 108-117.

[19] Søsted, H., T. Agner, Klaus Ejner Andersen, and T. Menné. "55 cases of allergic reactions to hair dye: a descriptive, consumer complaint‐based study." Contact dermatitis 47, no. 5 (2002): 299-303.

[20] de Groot, Anton C. "Side‐effects of henna and semi‐permanent ‘black henna’tattoos: a full review." Contact dermatitis 69, no. 1 (2013): 1-25.

[21]Jacob, Sharon E., and Alina Goldenberg. "Allergic."

[22]McFadden, John P., Ian R. White, Peter J. Frosch, Heidi Sosted, Jenne D. Johansen, and Torkil Menne. "Allergy to hair dye." BMJ: British Medical Journal 334, no. 7587 (2007): 220.

 

 

Henna on Fingertips, Feet, and Nails: Cosmetic and Practical Applications (Part Two)

This article was originally posted on www.AncientSunrise.blog.

 

How To Henna Fingertips, Nails, and Feet

Part One of this two-part series explored the use of henna on fingertips, nails, and feet. Henna was used both as a cosmetic and as a way to heal and protect skin, nails, and hair.

To read Part One, click here.

This section will describe how to use henna paste to decorate and strengthen fingertips, nails, and feet.

 

Note for US Residents:

The color additive “henna” is approved by the FDA solely for the use of “hair dye” (see, 21 CFR 73.2190); it may not be used for dyeing the “eyelashes,” “eyebrows,” nor the “eye area” for cosmetic product applications. Neither is it approved for cosmetic “skin tattoo” purposes. To use a color additive in any cosmetic product application for which it is not listed for regulation renders it “adulterated” and/or “misbranded.” (see section 601(a) and/or 601(e), and/or 602(e) of the FD&C Act)

https://www.fda.gov/ForIndustry/ColorAdditives/ColorAdditivesinSpecificProducts/InCosmetics/ucm110032.htm

 

Here are the US FDA regulations for the use of henna for the purpose of body art. These regulations have the force of law: https://www.fda.gov/cosmetics/productsingredients/products/ucm108569.htm

If you live outside of the US, this does not apply to you.

Always make sure you are using only 100% Body Art Quality (BAQ) henna whether it is on the hair or skin.

 

 

How to Apply Henna to Fingertips

Save this for a time when you don’t need your hands. I do this before bed, and sleep with wrapped fingertips.

Henna on smaller areas of the body is easily done with a rolled mylar cone filled with henna. If you are unfamiliar with how to roll and fill cones, click here to learn.

 

 

Set Up

You will need:

  • A cone of henna for outlining. (Or you can use medical tape. See below.)

  • A small bowl or shot glass with about 1T henna. (You can just squeeze out the rest of your cone after outlining.)

  • A small brush

  • Toilet paper or other soft paper

  • Tape

 

Outline

Start with clean hands that do not have lotion or oils on them.

Use the cone to draw an outline. You may need a friend to help if you wish to do both hands.

Alternatively, you can wrap a strip of medical tape around each finger. The result will be a nice, crisp line. You will want to choose a waterproof tape with a straight edge (some have a zig-zag edge).

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Fill

Fill in the skin from the line or the edge of the tape, to the tips of your fingers. I prefer to apply in layers, allowing each layer to dry. This prevents having fingers covered in a thick layer of wet paste that will take forever to dry.

 

 

Wrap

Wait until the paste is dry enough to touch without lifting any away. A hair dryer can help speed up the process. Wrap tissue or toilet paper around each finger, securing with tape.

 If you like, you can pull on a pair of stretchy fabric gloves. The warmth will deepen the stain, and the gloves keep the wraps from slipping off.

 

 

Remove

To remove, unwrap your fingertips and gently scrape the paste away with a wooden craft stick or the blunt side of a butter knife. A stiff nail brush helps to remove extra bits. Try to avoid water for the first few hours while the stain settles and oxidizes.

The stain will deepen over 24-48 hours. To expedite the process and darken the result, gently heat or steam your hands.

 

 

  

On the left, the fresh stain is bright orange. On the right, the stain has oxidized to a deep burgundy after 48 hours.

 

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How to Apply Henna to Fingernails and/or Toenails

If you would like to stain only your nails rather than your fingertips the process is similar, and simpler.

You can do this either with a cone or a clean, small brush. A recycled nail polish brush would work nicely. Trim and shape your nails as you prefer.

 

Using a Cone

Squeeze the cone gently and fill over the nail using back and forth motions. ​​ It works well to apply a thinner layer, then apply a second layer as the first dries. As the paste dries, ​​ it darkens and flattens. You will be able to see where you would like to add more paste.

 

 - Find & Share on GIPHY

 

Using a Brush

Henna tends to slip over the surface of the nail, so it is helpful to use dabbing motions rather than treating it the way you would nail polish. Let the first layer set, and then go back in to fill any areas that are thin.

 

http://gph.is/2xTs41a

 

Finish

You can either choose to wrap your fingertips similarly as described above, or allow the paste to fully dry on the nails. Damp paste will continue to stain the skin, leading to darker results. If you let the paste dry, keep it on for as long as possible (several hours is good) before gently scraping it away.

Again, the result will be brighter at first, and deepen over the next couple of days. You can reapply to deepen the color, and apply as necessary as your nails grow. I find that doing this weekly keeps my nails a deep red hue. My nails grow longer and chip less when I maintain hennaed nails.

Henna will stain the nail permanently, so if you choose to stop applying henna to your nails, a good way to hide half-hennaed nails is to paint them over with polish until the stained portion grows and is clipped away.

 

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Hennaed nails are a deep red. This color fades very little over time.

 

 

How to Apply Henna to Feet

You will definitely want to do this on a particularly lazy day, or in the evening before bed. You might want to have a friend to help you. I am a pretty flexible person and have found that hennaing one’s own feet is possible, but requires awkward positions.

Start with clean, scrubbed feet. Henna will help the feet shed excess callus and dry skin, but if you’d like your stain to last for a long time, it is a good idea to scrub off anything that is on the verge of shedding already.

Set-up

Remember that once you have henna on your feet, you are not going anywhere until it is wrapped. You’ll need to have everything on hand before you start, or holler for someone to bring you what you need. (Trust me. I have more than once crawled or butt-scooted over to where I had left my supplies, praying I don’t accidentally touch my feet to anything.)

You will want to cover the area where you’ll be sitting with an old towel. I prefer to sit on the floor with a cushion under me.

 

You will need:

  • A cone of henna for outlining.

  • A small bowl of henna. ½ cup to 1 cup should be plenty, depending on how thick your paste is.

  • A small flat brush or a large wooden craft stick

  • Toilet paper or other soft paper

  • Plastic wrap or plastic grocery bags

  • Tape. Medical tape is great, but any kind will do fine. It won’t go on the skin.

  • An old pair of socks

     

I also like to have a snack and drink close by. Maybe put on music or a movie. Make sure the cats aren’t feeling particularly needy. This will take some time.

 

 

 

 

Outline

Feet can be hennaed in many styles. Hennaed feet have varied by culture and time period. Some people prefer to apply only to the soles. Some apply to the balls of the feet and the toes. ​​ Once you have decided on your henna-feet style, use a cone to draw an outline along the tops and sides of your feet. I prefer a full slipper.

A helpful trick for keeping it symmetrical: Put on a pair of flats and use an aquarellable pencil to trace outlines on your feet along the edge of your shoes.

 

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You can also use medical tape to create a clean outline. Just apply the paste right over the edge of the tape.

 

 

Fill

Using the brush or craft stick, apply the henna paste evenly all over your feet. Make sure to apply henna between and under each toe. The paste will want to squish from between your toes while it is wet. Keep reapplying in layers.

Let each layer dry, then apply again until the paste is opaque and even. ​​ You can use a hair dryer to set each layer before beginning a new one.

I’ve found that this works better than applying one thick coat. The first layer helps the second layer stick better, and it all dries much faster. If you slather on one super thick layer and try to dry it, the surface will dry but seal in underneath. Once you wrap your feet and get up, all that wet paste squishes out and slides around. Walking around with squishy paste against your feet is really weird.

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If you do apply a thick layer, expect to wait a while for it to dry. Put your feet up in the sun, enjoy a beverage, take a nap...

 

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Wrap

Once your final layer is dry to the touch, use toilet paper to wrap your feet like you are a mummy. Be generous. The layers closest to your feet will get damp and rip. You’ll want several layers over everything, especially the balls and heels of your feet, where you put most of your weight. Use some tape to hold it in place if necessary.

Then, wrap your feet in plastic. Plastic wrap works well enough. So does a grocery bag. Secure with tape. Finally, pull on a pair of socks and you are ready to walk around!

Again, I prefer to do this at night and sleep through the processing time. I’ve found that my feet are too fat to fit into any shoes once they are hennaed and wrapped.

 

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Here, just the balls of the feet and toes were hennaed and wrapped.

 

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Remove

In the morning (or after as many hours as you can stand), unwrap your feet and gently scrape the paste off with a wooden craft stick or the blunt edge of a butter knife. I prefer to do this either outside or sitting on the edge of the tub with my feet in the tub (paste bits are rinsed down the drain for easy cleanup). Use a stiff brush to clear the remaining flakes, and do a quick wipe with a clean, damp towel.

 

 

 

 

Getting Fancy

Want to add some complexity to your hennaed fingertips and feet? Take a look at all of the free pattern books available at The Henna Page. You can even add gems, glitter, shimmering powders, and more.

 

 

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These feet were hennaed and decorated in multiple steps. Toes and details were hennaed, left for several hours, and allowed to deepen with oxidation. Applying henna and removing after a short period of time created the bright orange stain. Finally, gilding and jewels were added.

 

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If you have any questions about applying henna to fingertips, nails, and feet, feel free to comment below or email r_chou@mehandi.com